Eugene Ng

Recording & Mixing Engineer

Eugene Ng on SoundBetter

I'm a recording and mixing engineer based in Singapore. I enjoy helping artists to realize their musical visions. I believe that every song has a special story and I am committed to push boundaries in the art of music production to create a unique sounding masterpiece. ​

Check my website for my portfolio. www.eugenenks.com

Send me an email through 'Contact' button above and I'll get back to you asap.

Interview with Eugene Ng

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I am generally proud of all the productions I've been through. So it is really hard for me to pick just one.

  3. Q: What are you working on at the moment?

  4. A: I am mostly working on my band's (Imp Act) music as a producer, recording, and mixing engineer. Here is the link: https://open.spotify.com/artist/57s8WdxR254AhZqPwG4Wdt?si=HJ4bRqYaROK8DHy0FRGEVQ

  5. Q: Analog or digital and why?

  6. A: I enjoy working on both. However, I do enjoy working on analog gears slightly more because I work much faster.

  7. Q: What's your 'promise' to your clients?

  8. A: I will always try my utmost best to help them achieve their creative vision using all my skills and the best equipment I can find.

  9. Q: What do you like most about your job?

  10. A: I really enjoy listening to music on the job. I have is a huge sense of satisfaction with the final product is completed and released.

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: How much do I charge? I usually decide after asking the client a series of questions to determine how much work I need to do before I quote a price. In my opinion, it is unfair to charge a blanket fee as no two production requirements are the same. For example; I will charge mixing a song differently based on the number or tracks and the duration of the song.

  13. Q: What questions do you ask prospective clients?

  14. A: What is your creative vision of these musical works? What is the story behind it? Do you have any references?

  15. Q: What advice do you have for a customer looking to hire a provider like you?

  16. A: Pre-production is important. I like to meet my clients before any session to discuss the objective of the project. I like to help my clients to save some studio time (money) so planning and execution of the production will be crucial.

  17. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  18. A: A decent 24 channel analog console, a pair of good monitors, a reliable recorder or audio interface with DAW, a really good multi-polar pattern large diaphragm matched pair microphones.

  19. Q: What was your career path? How long have you been doing this?

  20. A: My specialization is in studio music production. Since 2006, I have been working as a recording and mixing engineer. I choose this career path because I enjoy playing and working with music. It is my goal to help artists to document their legacy (music).

  21. Q: How would you describe your style?

  22. A: I will always try to understand the artist's intend and apply my skills, knowledge, and experience in music production to create their masterpieces. I will always experiment with recording and mixing techniques to create a unique sound for every artist in each of their song and album.

  23. Q: Which artist would you like to work with and why?

  24. A: Artists who are committed to create and produce musical works at the highest level. I will always endeavor to put in 110% of my effort to bring artists' creative vision alive.

  25. Q: Can you share one music production tip?

  26. A: Having the right vibe in studio production is the magic ingredient to a great sounding record. The production process should be stress-free, everyone in the same should be able to pour all their emotions, heart, and soul into the music.

  27. Q: What type of music do you usually work on?

  28. A: Pop, Rock, Jazz, and Acoustic music

  29. Q: What's your strongest skill?

  30. A: I am able to think out of the box to achieve the sound most clients want quickly using whatever equipment I have access to.

  31. Q: What do you bring to a song?

  32. A: As I am both an engineer and a musician, I can always use a combination of musical instruments, technology, sound design, and music production techniques to enhance the sonic characteristic and musicality of the song.

  33. Q: What's your typical work process?

  34. A: I usually spend a lot of time getting the sound right before recording it (ie; microphone choice & positions, use of preamps, eq & compressor). I always aim to achieve the final album sound by the end of the recording session, so clients will usually leave the recording session hearing close to 80% of the final mix. For mixing, I am well-versed with executing a full analog mix, hybrid mix, or 'in the box' mix.

  35. Q: Tell us about your studio setup.

  36. A: I do not own a studio but I work in two recording studios in Singapore. They are LASALLE College of the Arts and Greenroom Suite. Both studios house a large-format SSL console with a decent collection of industry standard microphones and outboard gears.

  37. Q: What other musicians or music production professionals inspire you?

  38. A: My music production style is inspired by Sylvia Massy, Andy Wallace, Manny Marroquin, Jacquire King.

  39. Q: Describe the most common type of work you do for your clients.

  40. A: Some editing, mostly recording and mixing, occasionally mastering

  41. Q: What's the biggest misconception about what you do?

  42. A: I always aim to help my clients to save money. Recording and album does not have to be very expensive if everyone in the production comes into the studio well prepared.

More Photos