
15+ years scoring national ad campaigns (Google, Mastercard, Toyota etc.) — I write, mix, and deliver broadcast-ready music on agency deadlines.
I spent over a decade as a staff composer at a music house, writing spots for national brands under real agency pressure: tight turnarounds, multiple revision rounds, picture locks that move. That environment teaches you things a home studio doesn't. I know how to hit an edit point, take a note without ego, and hand off stems that a post house can drop straight into a session.
Mixing and production: I mix and master everything I write to broadcast spec, and I take on other people's material as well. If you have a track that's most of the way there and needs arrangement work, better sounds, or a proper mix, I can handle that.
What I write: hybrid orchestral, indie/organic, quirky and character-driven, electronic, and traditional orchestral. My writing tends to be melody-driven — even in texture-heavy work, there's usually a line you can hum.
How I work: Logic Pro, a deep sample library, and real instruments where they matter. I work fast and I'm used to tight deadlines.
What you get: full mix, alternate lengths, and stems as standard. Picture-conform included on spot work. One revision round built into the price.
Based in upstate New York, working remotely with clients anywhere.
Contact me through the green button above and let's get to work.
Languages
- English
- Mixing EngineerAverage price - $200 per song
- ProducerAverage price - $350 per song
- Film ComposerAverage price - $400 per minute
- String ArrangerAverage price - $300 per song
One revision round included; additional rounds quoted. Deliverables and timeline agreed in writing before work begins.



