Daria on SoundBetter

I’ve collaborated with global brands, crafting music. From soundtracks for Nike, Cartier, and Jumpman to exclusive tracks for Milan and London Fashion Week, I bring projects to life for ad campaigns and runway shows. I have a keen sense for enhancing visuals with sound and excel in orchestration and creating powerful harmonies.

I am a professional violinist, multi-instrumentalist, orchestral arranger, session musician, and producer, with years of experience creating captivating music for films, brands, and personal projects. My expertise spans crafting intricate orchestrations, harmonies, and musical arrangements that elevate any project.
Over the past 12 years, I’ve worked with independent artists and brands like Nike Woman, Cartier, Jumpman, and London Fashion Week, creating original music for films, content creators, ads, and beyond.
With over 15 years of violin training, I draw on this foundation daily to bring depth and quality to my work across experimental, electronic, and diverse genres. My passion lies in pushing creative boundaries, crafting unique sounds, and helping artists achieve the final piece to their vision.
Whether it’s orchestral arrangements, detailed soundscapes, or impactful effects, I strive to capture the perfect emotional tone and deliver inspired results every time.
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Credits

Languages

English
Russian

3 Reviews

Endorse Daria

by Elliot James Mulhern Mastering
Verified (Client)
Daria is supremely talented, an absolutely pleasure to work on this project together, such a great communicator, super professional! Always a big plus!!!! Don’t hesitate is you have the opportunity to collaborate with Daria, you won’t regret it! Trust me!
by Romidgio Minuendo
I hired Daria for a little passion project of mine and she impressed me artistically and professionally.

Everything we set out to do she completed on time, with utmost care and had a lot of her own helpful creative input.

Bravo!
by Andrei
Daria is highly talented artist!

Interview with Daria

Q: Analog or digital and why?
A: Digital because you can create a analogue sound with digital  
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Midi Controller, Mac Laptop, Mbox, Nueman u87, Generator
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I’m especially proud of my work with Nike Woman. My role was to compose a soundtrack inspired by their women’s collection. This project allowed me to unleash my imagination and create something truly special that perfectly captured the spirit of the brand.
Q: What are you working on at the moment?
A: I’m working on a new album and currently composing music for a film.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes, producer Elliot James Mulhern — his mastering work is always top-notch.
Q: What's your 'promise' to your clients?
A: I promise to translate their ideas and emotions into sound in a way that perfectly matches their initial vision.
Q: What do you like most about your job?
A: Creating melodies and finding the perfect sounds that complement each other.
Q: What questions do customers most commonly ask you? What's your answer?
A: — Can you record piano or vocals? — Yes, I can record both.
Q: What questions do you ask prospective clients?
A: 1. What genre or mood are you aiming to convey? 2. Do you have any reference tracks? 3. Which instruments would you like to include in the final version? 4. What will this track be used for (film, advertisement, album, etc.)? 5. Are there any time constraints for the project?  
Q: What was your career path? How long have you been doing this?
A: I studied violin professionally for over 15 years, then learned Logic Pro and took vocal lessons. At 18, I began my solo career and released my first album at 20. Among my earliest clients was Nike Woman—I composed a soundtrack for their women’s collection. I’ve also worked with Cartier and Jumpman, creating powerful soundtracks and performing at fashion shows.
Q: How would you describe your style?
A: An avant-garde blend of classical and electronic music, featuring strong melodies, captivating harmonies, and unique effects.
Q: Which artist would you like to work with and why?
A: I’d love to work with Philip Glass. To me, he’s a legend and one of the greatest composers of all time.
Q: Can you share one music production tip?
A: Never copy others—create something unique.
Q: What type of music do you usually work on?
A: My work is quite diverse. I focus on classical and electronic music, create soundtracks for brands and films, and experiment across various genres in my personal projects.
Q: What's your strongest skill?
A: The ability to seamlessly blend orchestral arrangements with modern electronic sounds. Strong melody.
Q: What's your typical work process?
A: My work begins with a discussion with the client to understand their ideas, needs, and desired sound. We also establish reference tracks they’d like the project to align with. Then I create the first draft and send it for review, allowing us to refine it together.
Q: Tell us about your studio setup.
A: I primarily work in Logic Pro. My studio is equipped with everything needed for high-quality work: analog synthesizers, several violins, cellos, and an acoustic piano.
Q: What other musicians or music production professionals inspire you?
A: Mica Levi, Philip Glass, Anyma, Mathame, Max Cooper, Nils Frahm
Q: Describe the most common type of work you do for your clients.
A: Creating music for visuals, orchestral composition, and orchestral arrangement.