I am a Mexico City-Based Mixer, 1 time Grammy and 4 Times Latin Grammy Winner (including Best Engineered Album), my credits encompass a wide range on genres and artist, and include Natalia Lafourcade, Mon Laferte, Zoe, Ximena Sariñana, Jesse &Joy, Los Angeles Azules, La Barranca, Jaguares, Ana Torroja, Los Bunkers, Cecilia Toussaint, Thalia.
I love to mix, so i wll seriously involve my self in on your music and contributes to finish it, i do hybrid mixes, using top brands analog gear.
Please contact me as rates are negotiable based on simplicity or complexity of project.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
18 Reviews
Endorse Eduardo del Aguila
check_circleVerifiedEduardo was easy to work with and understood all of my requests. Work was turned around fairly quickly. I will definitely be working with him again in the future.
Eduardo is a top notch mixing engineer, a real pleasure to work with. He has a lot of experience and a real knowledge of his craft. He is very highly regarded as one of Mexico's prominent mixing engineers.
Un gran arquitecto del sonido. Su trabajo tanto en vivo como en estudio da cuenta de su amplio conocimiento en la materia y buen gusto. Absolutamente recomendable.
Excelente trabajo, muy profesional y atento.
Mezclamos canciones con él y fuimos a su estudio para revisar cada track hasta que todos estuviéramos contentos.
Great sound artist to work with.
You’ve put such great energy and talent into every project, it’s been a great journey working with you through all these years!!!
Excelente profesional del audio
My favourite Mexican mixer by far
I have worked with Lalo as an artist and as a Producer for other projects, He has mixed Songs for my band Comisario Pantera and I’m so happy with the results he has achieved, In my opinion he is the top mixer engineer in MEXICO and he would be my top one recommendation
Lalo, un hombre culto y profundo.
Gran sonido, visión y grandes conversaciones.
The best of the best!
Great ears, great friend.
Un confiable amigo y profesional.
Lalo gran profesional y persona :)
A true talent!
Eduardo es un ingeniero extraordinario, sensible. Su trabajo siempre es de una gran calidad. Alguien con quien puedes trabajar con toda la confianza . Recomendable con los ojos cerrados y los oídos muy abiertos.
Excelente ingeniero de grabación y mezcla. He trabajado con el en varios proyectos y siempre entrega tracks con gran calidad técnica y muy buen gusto. Muy recomendable.
Eduardo is a very professional colleague and a great human being. It’s always a pleasure to listen to his new mixes!
Interview with Eduardo del Aguila
Q: Analog or digital and why?
A: Both are different but great.
Q: What's your 'promise' to your clients?
A: I will seriously involve my self in your music.
Q: What do you like most about your job?
A: Contribute on Artist work.
Q: What questions do you ask prospective clients?
A: Is your song all done?, Have you listened to my mixes?
Q: What was your career path? How long have you been doing this?
A: I have been in the Alternative Rock/Pop Latin America business for 20 years.
Q: Which artist would you like to work with and why?
A: With all artist that are interested on sound kind of different.
Q: What's your strongest skill?
A: Mixing and recording.
Q: What do you bring to a song?
A: I will bring your song a different way to mix it.
Q: What's your typical work process?
A: I do hybrid mix, and master, using external hardware and plugins, the same with mastering.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Natalia Lafourcade "Hasta La Raíz" I did record and mixed 7 tracks, and it was a really fun and creative moment in my career.
Q: What are you working on at the moment?
A: Lanza Internacional New Album, and many Alternative Rock songs.
Q: What's the biggest misconception about what you do?
A: That seems to be easy to do it.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I will put all my ears, soul and knowledge to mix your music.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Ribbon Mic, Preamp, Compressor, Equalizer, Speakers.
Q: How would you describe your style?
A: Alternative mixes
Q: Can you share one music production tip?
A: Always listen before you give an opinion.
Q: What other musicians or music production professionals inspire you?
A: All musicians inspire me, make good music is not easy.
Q: Describe the most common type of work you do for your clients.
A: Mixing, Mastering, and Recording.
Q: What type of music do you usually work on?
A: Rock Pop, Pop, Rock.
Q: Tell us about your studio setup.
A: Protools 12, Burl Audio and Antelope converters, Focal Trio6 Be Yamaha NS10 Monitors, Shadow Hills The Equinox Summing box, ShadowHills Mastering Compressor, Chandler EMI Zener Limiter TG12413, Chandler EMI Curve Bender TG12345, Avalon 737 Preamp, Api 2500 Stereo Bus Compressor, Universal Audio LA610-MKII, TubeTech LCA 2B, ShadowHills Equinox Preamp, Drawmer 1960 Preamp, Drawmer 1961 EQ, Empirical Labs Distressor, Drawmer DL241 Dual Compressor, Drawmer DS201 Dual Gate, Roland Space RE-201,Roland Chorus Echo RE-501.
I was the Mixing Engineer on in this production
- Mixing EngineerAverage price - $700 per song
- Live SoundAverage price - $800 per concert
- Vocal compingAverage price - $50 per track
- Time alignment - QuantizingAverage price - $50 per track
- Vocal TuningAverage price - $50 per track
- Mastering EngineerContact for pricing
Depending on my availability 2-7 days turn-around time, after the initial creative consultation, I deliver a mix at 80% and check-in for feedback, I am happy to do 3 FREE revisions on mixes.
- Zoé
- Mon Laferte
- Natalia Lafourcade
- Protools12
- Burl Audio and Antelope converters
- Focal Trio6
- ShadowHills The Equinox
- ShadowHills M Compressor
- ChandlerZener Limiter TG12413
- Chandler Curve Bender
- Api 2500 Bus Compressor
- TubeTech LCA 2B
Please contact me as rates are negotiable based on simplicity or complexity of project / Special Price for these social distancing time
