Mixing and mastering - from solo acoustic performance, full live band, horns and strings, country, funk, rock, metal, indie, jazz, reggae, musical theatre, alt rock, punk and soul I can give your music the care and attention that it needs to stand out from the crowd.
With more than a few decades of listening experience from big bands, the psychedelic prog-rock of Nektar through to Jethro Tull, King Crimson, the pop-rock and funk of the 70s through the Punk, new romantics, NWOBHM and hair Metal, stadium rock through to the operatic rock metal of Savatage, Nightwish and everything in between a prerequisite for good mixing and mastering.
There will be free unlimited revisions until you are happy with the sound of the mix - both a mix and a mastered mix will be made available and mix without vocal if necessary at no extra charge.
Contact me by pressing the big green contact button at the top of the page.
Contact me through the green button above and let's get to work.
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Interview with Andrew Lavin
Q: What questions do customers most commonly ask you? What's your answer?
A: Why do I need the song to be mastered? You don't but it will sound a thousand times better than the mix and it is not complicated to do and it will be the same volume as a commercial mix.
Q: What other musicians or music production professionals inspire you?
A: Todd Rundgren (especially Ra by Utopia), Pat Travers, Most of the Meatloaf Albums and the production on Jethro Tull's Songs from the Woods album.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mix and Master of 7 songs for a prospective Tim Burton style Musical Theatre production of Jack the Ripper the professional playwright/musician already had a publishing deal. Things had stalled but the project was revitalized due to the quality of my mixes - they were not easy mixes. These were a few of his comments that I could track down and very high praise from a professional. "A thoroughly professional seller. I would be happy to put all of my work into Andrew's hands. A fabulous mix." "Blimey! That's ace!" "5 stars don't do this current mix justice. Epic!!!!"
Q: What are you working on at the moment?
A: Working on several small projects one Country, pop-rock and soul. Plus finding time to do my own project.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Killian Cruiser because he is a great producer singer and musician. Shaley Scott is a good songwriter and singer. Natalie Major has a wonderful pop voice/style.
Q: Analog or digital and why?
A: Digital due to efficiency and cost. I use mostly analogue style plugins and quite a few Acustica Audio plugins I often do a quick draft using stock plugins then change them out for the next draft - can sometimes prefer the stock version but go with the one that has the most vibe.
Q: What's your 'promise' to your clients?
A: No extra charges for anything - a mix and master is what they pay for if they want a mix without vocals or copies of all the final stems and effects channels then it is free as it is just part of the process.
Q: What do you like most about your job?
A: Freedom to choose which project I work on.
Q: What's the biggest misconception about what you do?
A: That they need a second person to do the master! I provide a mix and a master so that they can have the mix mastered by someone else if they fall out of love with my master.
Q: What questions do you ask prospective clients?
A: Have they had a mix done before - everything else follows from that.
Q: What advice do you have for a customer looking to hire a provider like you?
A: You may get a better deal than you expected - not everyone is on this planet to rip you off.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: An acoustic steel-string guitar, Nylon strung guitar. A Kramer Assualt guitar, Marshal combo amp,and a reverb pedal - I guess I would need a generator, fuel and a few thousand batteries.
Q: What was your career path? How long have you been doing this?
A: Doing this for 4 years - like a lot of people I had/have a "professional job" but was more interested in music.
Q: How would you describe your style?
A: Very open sound with clarity and dynamics.
Q: Which artist would you like to work with and why?
A: Jon Crosby of VAST - because he is a bit of a genius with a varied style from acoustic to alt-rock.
Q: Can you share one music production tip?
A: A tambourine, clap and cowbell mixed into a snare will often work wonders for a lifeless snare just depends on the song.
Q: What type of music do you usually work on?
A: Varied from pop-rock to metal and country but have a preference for live performance as more of a challenge.
Q: What's your strongest skill?
A: Highlighting what sounds good in preference to weaker elements and making the music sound as full as it needs to be without losing the subtle instrumentation and dynamics.
Q: What do you bring to a song?
A: An experienced ear if a song needs to sound like the mix of Carpenters or the Sex Pistols it can be done.
Q: Tell us about your studio setup.
A: Just very Basic as only mix and master - Cubase Pro and Wavelabs and Studio one and an offboard compressor + a few guitars and bass.
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering
I was the Mixing and Mastering Engineer in this production
- Mastering EngineerAverage price - $50 per song
- Mixing EngineerAverage price - $100 per song
Unlimited revisions. Turnaround 2 to 3 days subject to time zone, administration and number of tracks. No additional costs - ever.
- The Goo Goo Dolls
- Whitesnake
- Chicago
- Cubase
- Wavelab
- Studio One.
Price quoted is 50% off the full price of mixing and mastering until the end of 2021.
