Producer & audio engineer

Q: What are you working on at the moment?

A: 🔥 3 secret DnB collabs (one with a viral vocalist). 🎧 Mixing a Pop-EDM EP (think future hits). 💀 Testing new mastering chains (spoiler: they slap). Your track could be next—DM me

Q: Analog or digital and why?

A: Digital for surgical control (EDM sound design, vocal tuning). Analog for vibe when it matters (saturation, warmth). But let’s be real—99% of listeners can’t tell. I use what serves the song, not my ego

Q: What's your 'promise' to your clients?

A: I swear by three things: 1️⃣ Your track will compete with pros. 2️⃣ You’ll feel the difference (bass in your chest, vocals in your soul). 3️⃣ If it’s not fire, we tweak until it is

Q: What do you like most about your job?

A: That 3AM moment when the track finally clicks— Bass shakes your ribs Vocals give goosebumps You feel the drop in your teeth. That’s why I do this

Q: What questions do customers most commonly ask you? What's your answer?

A: 1️⃣ ‘Can you fix my muddy mix?’ ✅ A: ‘Send stems—I’ll carve space for bass/vocals.’ 2️⃣ ‘How loud will my master be?’ ✅ A: ‘-8 to -6 LUFS for EDM, without distortion.’ 3️⃣ ‘What’s your revision policy?’ ✅ A: ‘2 free revs, then $20/hour (but we’ll nail it fast)

Q: What's the biggest misconception about what you do?

A: Loudness fixes everything.’ NOPE. A trash mix mastered loud is just loud trash. I fix the foundation first (balance, dynamics), then slam it properly."

Q: What questions do you ask prospective clients?

A: 1. Got a reference track? (What’s your target sound?) 2. Stems formatted properly? (WAV, labeled, no clipping) 3. Timeline? (Rush jobs cost extra) 4. Vibe goal? (e.g., ‘dark DnB’ or ‘happy Pop’) 5. Budget? (Let’s work within it)

Q: What advice do you have for a customer looking to hire a provider like you?

A: 1️⃣ Hear their past work (does it slap your genre?). 2️⃣ Ask about revisions (unlimited? paid?). 3️⃣ Send a TEST MIX (I do free 30-sec demos). 4️⃣ Trust vibes—if they get your vision, hire them."

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: 1. Laptop (with FL Studio, obviously) 2. KRK Rokits (gotta feel the bass) 3. iZotope Ozone (mastering = survival) 4. Serum (sound design = sanity) 5. Solar charger (no electricity? pathetic)."

Q: What was your career path? How long have you been doing this?

A: 5+ years deep: 1️⃣ 2019: Bedroom beats (FL Studio warrior) 2️⃣ 2021: First paid mixes for SoundCloud rappers 3️⃣ 2023: Went pro—EDM/DnB producers started hiring me 4️⃣ Now: 50+ tracks delivered, still obsessed with sound design."**

Q: How would you describe your style?

A: My style? Surgical but savage: DnB: Sub-bass that caves chests, drums like gunshots. Pop/EDM: Vocals glued to euphoric synths. Non-negotiable: Your track moves people and meters."**

Q: Which artist would you like to work with and why?

A: Dead: Avicii (RIP) – His melodic energy was unmatched. Alive: Sub Focus or Rihanna – one for DnB science, one for pop immortality. But honestly? I’d kill to work with YOU next

Q: Can you share one music production tip?

A: Pro Tip: Always gain-stage before mixing! Set each track to -18dBFS avg (use pink noise as reference). Result? Clean headroom for punchier masters without clipping. Try it—your mixes will thank you.

Q: What type of music do you usually work on?

A: I thrive on high-energy music: EDM (melodic drops, festival-ready power) DnB (surgical bass, razor-sharp drums) Pop (vocal-forward, radio-polished) But I adapt to any genre—if it bangs, I’m in

Q: What's your strongest skill?

A: My #1 skill? Translating your vision into sound— Adaptation: No ego, just your goals. Pop vocals? Crisp. DnB drops? Brutal. Full-process mastery: From blank DAW to mastered weapon (5+ years in the trenches). No surprises: You get exactly what you asked for—but better

Q: What do you bring to a song?

A: I bring three things to every song: 1️⃣ CLARITY – Vocals that cut, bass you feel, no frequency wars. 2️⃣ IMPACT – Drops that crush, mixes that compete. 3️⃣ STREAM-READY Loudness without distortion (iZotope-tuned). EDM/DnB/Pop is my zone—but I adapt to your sound.

Q: What's your typical work process?

A: 1️⃣ CONSULT – chat about your vision & refs. 2️⃣ PRODUCE/MIX – Stem polish or full build (48hr draft). 3️⃣ MASTER – Final bounce (Spotify-ready & loud). 4️⃣ DELIVER – WAV/MP3 + revisions until you’re hyped.

Q: Tell us about your studio setup.

A: My studio’s built for impact: Monitors: KRK Rokits (tuned for DnB bass & EDM drops) Software: FL Studio, iZotope Ozone, Serum I prioritize translation—your track will slap on phones, clubs, and car systems."**

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by boundary-pushers like: Noisia (DnB sound design) Fred again.. (emotional electronic rawness) Max Martin (pop vocal alchemy) Their work reminds me: great production is 50% tech, 50% vibe.

Q: Describe the most common type of work you do for your clients.

A: Most clients hire me for: 1️⃣ PRODUCTION – Full EDM/DnB/Pop tracks from scratch (beats, sound design, arrangements). 2️⃣ MIXING – Making stems slap (I fix muddy drops/vocals FAST). 3️⃣ MASTERING – Loud-but-clean masters for Spotify/clubs.