I'm an indie mixer and producer based in Tokyo with decades of experience in a multitude of contexts. My specialty is electronic music but I also produce and mix other genres.

I can be of service as a remote producer or mixing engineer for you.

The former role typically entails that you send me a demo or a rudimentary mix project and we'll be in touch regarding what you'd like to have done. I can enlist the help of musicians or vocalists as well if you'd like, and can add or replace sounds utilising my substantial vintage synth collection.

As mix engineer I can provide an excellent sounding mix for you following your guidelines and preferences.

I've got a multitude of the best plugins available in the DAWs. I can provide analog summing through your choice of the Neve Genesys Black (32ch) or an SSL XLogic 16-channel summing mixer. Alternatively I can provide in-the-box mixing if you'd like.

It's very important to me that you're 100% happy with the result. As part of a revision I can also provide a live stream directly from my console to make it possible to tweak your project while having a conversation about what you'd like.

Get in touch! Send me a file (or a link to the song) and a short description of what you'd like done to the track(s). Then we can get a sense of the scale and I can give you a price for the project I think you'll find very reasonable.

Looking forward to hearing from you!

Gear highlights

  • Neve Genesys Black G32
  • Zener Limiter
  • Pro Tools HDX

Genres I specialize in

Terms of Service

Your choice of SSL or Neve summing. I allow three revisions as standard. Turn-around typically three days.

Endorse Hawker Studio


Interview with Hawker Studio

Analog or digital and why?
There are strengths and weaknesses in both and I like to think that I am utilizing both to maximum benefit. Digital is immensely flexible and is obviously the main delivery medium at the end of the day. But after many years of purely digital I chose to go analog for the main console and some processing. Tracks and stems gel together beautifully with stellar punch and presence and adds almost a slight "creamy" warmth that brings grand musical pleasure to the table.
What's the biggest misconception about what you do?
That you can "fix it in the mix". A badly recorded or arranged song can not be lifted significantly by simply doing "mix magic".
What type of music do you usually work on?
Mostly electronica, dance, electronic-oriented pop.
Tell us about your studio setup.
The studio is a synth-heavy setup revolving around my Neve Genesys Black G32 and a FocusRite RedNet system. The DAWs I have ready on hand are Pro Tools HDX, Logic Pro X and Ableton Live 9. Since I am a huge fan of vintage synths and drum machines I have a stack of them lined up (for example Roland Jupiter 8, PPG Wave 2.3, Roland System 100m, Roland TR-808 etc.) as well as others in storage that I can pull forward when needed. I also have a handful of very modern synths such as the Modal 008, Prophet 12 and Nord Lead 4 etc.
What other musicians or music production professionals inspire you?
Well, when I am wearing the mix engineer hat, I am hugely inspired by Andrew Scheps and Mick Guzauski for their artistic approach to mixing. Wearing the producer hat I am inspired by Deadmau5, Daft Punk and many others that express their own "limitless" approach to how to construct (and deconstruct) music.
Describe the most common type of work you do for your clients.
I really have two common roles. One is to receive a project from the artist for me to mix coherently and according to the wishes of that artist. The other common one is that I receive a demo track that could use some significant "sprucing up", and in conversation and collaboration with the artist I make it a track that really pops out.