Music Producer (for hire)

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Yeah, I was proud of every project I worked on right from the beginning but there was this remix I did on Emma Holzer's song "Queen". The stems were placed on SkioMusic and we were asked to make a remix out of it, and so far, that's what I can say I'm very proud of.

Q: What are you working on at the moment?

A: Current working on Taylor Swift's Blank Space remix. Hope it goes well...

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Yeah, Aubrey Whitfield. She's my hero.

Q: Analog or digital and why?

A: More of analog cos it gives complete control over everything you do but when you're squeezed in a tight corner, digital is good to go.

Q: What's your 'promise' to your clients?

A: I'll try to be professional and create the best track thereof.

Q: What do you like most about your job?

A: When the stems are finally given to me and I playing around the organ to find the chords, it's so overwhelming as it builds me up the more everytime I do that.

Q: What questions do customers most commonly ask you? What's your answer?

A: They mostly ask for feedback from their tracks and I give it to them, for free. As I do this, more people come to me and this makes me identify mistakes the more and also helps me avoid mistakes in my own tracks.

Q: What's the biggest misconception about what you do?

A: There's nothing like,"You're too old to make music". It's a big misconception.

Q: What questions do you ask prospective clients?

A: I mostly ask whether they want an agressive or cool track.

Q: What advice do you have for a customer looking to hire a provider like you?

A: That they should look for someone who thinks highly of job the rather than the money.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A laptop with some pretty bad-ass plugins, a pair of headphones, an organ, an external mouse and a pair of speakers.

Q: What was your career path? How long have you been doing this?

A: I started around November 2019, so you can guess how much I've been in this industry.

Q: How would you describe your style?

A: Future bassy style with punchy kicks, full chords and with a pinch of electro pop.

Q: Which artist would you like to work with and why?

A: Selena Gomez, she's truly a gem. And I like her voice, to be precise.

Q: Can you share one music production tip?

A: Never put anything on the master channel when mixing. That's one of the deadliest things to do.

Q: What type of music do you usually work on?

A: Mostly future bass, progressive housea bit of electro house.

Q: What's your strongest skill?

A: When it comes to arranging the instruments and placing them each in their respective frequency spectrum.

Q: What do you bring to a song?

A: I speed up the vibe if it's slow and I slow it down if it's faster to bring variations.

Q: What's your typical work process?

A: I started with the trial version of the DAW I use which doesn't permit saving your project and continuing another time so I was forced to finish every project I started with a time frame of about 8-9 hours so now I've been able to buy it, I hardly sleep over a project for almost a week. Within 3 days, I'm done with the highest quality mixing and mastering possible.

Q: Tell us about your studio setup.

A: It's just a laptop, a pair of headphones, a pair of speakers, and a five octave organ.

Q: What other musicians or music production professionals inspire you?

A: Illenium, The Chainsmokers, Alan Walker, AVICII(RIP), and roughly Marshmello

Q: Describe the most common type of work you do for your clients.

A: I mostly remix tracks that they think isn't good enough. Wanting me to add my add spice to see if it'll turns things around, a bit.