It's not about how I can add my personal touch to your art, but how I can help you reach YOUR vision's maximum potential.
I've loved pop since I was a lil baby and I internalized all the music I heard growing up. I pour it into my work with my artist friends today. I guess my gear is cool in that it allows me to shape sound in the way that I want to hear it, but its my knowledge, taste, and experience that drives my decisions.
If you write great pop songs and need a producer, I want to work with you because you give my life meaning.
So let's do it! Reach out and start a convo with me :)
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
3 Reviews
Endorse Jack RobertsJack Roberts is an absolute dream to work with!! I started working with him this year- he recently mixed and mastered several indie/soul songs I wrote with a friend of mine and I am so beyond pleased with the final product. Not only does Jack work with great precision and patience, but he is so easy to work with, and is super versatile with genre. He is never afraid to get creative and always brings a fresh vibe to my songs. 5 stars!!
Jack is an absolute pleasure to work with. His attention to detail is unmatched, and he always provides a fresh and thoughtful insight into any song that comes his way. He has helped all of our songs come to life and I am constantly amazed by his work. I highly recommend working with Jack, it will be the best decision you make!
I’ve now spent nearly 10 years working with Jack Roberts and have no intention on doing things any different. Jack is an amazing listener, engineer, producer, and takes his time to explain and help his client navigate through whatever they wish to create. His attention to detail is unmatched & the final products always exceed expectation. Working with him is a no-brainer!
Interview with Jack Roberts
Q: What's your 'promise' to your clients?
A: I don't take on every project that comes my way because honestly, I have to believe in it. Too busy to just do it for the money. But I promise that if I do take on your project, you'll get more than my ears & gear, you'll get my heart and full confidence as well.
Q: How would you describe your style?
A: I'm a secret pop chameleon?
Q: What's your strongest skill?
A: Telepathy! No, but seriously, good production is all about making your hands do what your head and heart hears and communication is a big part of that. I can't really read your mind, but I do have a way of understanding what your hopes and needs are for a production.
Q: What do you bring to a song?
A: It's not about what I can bring to a song, but what I can bring out of it. Every song inspires unique production choices. It's YOUR vision, I'm just here to help you bring the best version of that to life. There's a lot of things that I can do, but they only matter if it makes the song better and it's what you want.
Q: What other musicians or music production professionals inspire you?
A: My favorite producers are Max Martin and Benny Blanco. How could you not love their work?!
Q: Analog or digital and why?
A: Both! Because 2021. My set up is primarily in the box (meaning mostly digital) but every mix I do goes through my outboard chain which is a Shadow Hills compressor into a pair of Warm emulation Pultec EQs and summed through the Dangerous DBox. Digital is great to work with for editing and the bulk of the mix but the analog chain at the end always enriches the saturation and punch of anything that goes through it.
I was the Producer and Mixing Engineer in this production
- Mixing EngineerAverage price - $400 per song
- ProducerAverage price - $800 per song
- Full instrumental productionAverage price - $500 per song
- Mastering EngineerAverage price - $50 per song
- EditingContact for pricing
Mix prices include up to 6 sets of revisions. Turn around times vary for different types of work but will be discussed before begin.
- Dangerous DBox
- Shadow Hills Dual Vandergraph
- Universal Audio Apollo 8P
- Warm Pultec EQ
- Warm 2Bus Compressor
- ADAM A7X