Gold-Selling music producer, Berklee College of Music graduate, versatile audio manipulator. Working in a multitude of genres, ARKTKT has the experience and know-how to take your project to the next level. Notable credits include; Fetty Wap, YBN: The Mixtape, YBN Almighty J, Bridget Kelly, Nikolija, !llmind, Timbaland and more.
ARKTKT (pronounced Architect) is both an alias and a fitting description for the meticulous manner in which New Jersey native, Jarred Barnes, constructs and manipulates sound.
A Berklee College graduate, Barnes’ academic tutelage is reflected tenfold in each one of his productions; rendering highly detailed compositions featuring self-sung vocals and keyboard solos that showcase a deep affinity for music theory as much as a love of innovative songwriting.
Full music production, beat-making, film scoring, session work on piano and bass guitar, mixing and mastering are among the many services offered by ARKTKT.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Interview with ARKTKT
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm proud to have worked on the YBN: Mixtape, it landed me my first plaque and that was motivation to keep at it.
Q: What are you working on at the moment?
A: I'm working on some more solo ARKTKT material, a remix for Sorza, some Albanian music, and some things I can't disclose just yet.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Riley Urick, he's the man and he's got that dope!
Q: Analog or digital and why?
A: Analog Digital because it's the best of both worlds.
Q: What's your 'promise' to your clients?
A: I promise to give you something special.
Q: What do you like most about your job?
A: I love that 'IT' moment in the studio, when the client hears their song in a new light.
Q: What questions do customers most commonly ask you? What's your answer?
A: How did you get your drums to smack so hard? Answer: Sausage Fattener
Q: What's the biggest misconception about what you do?
A: The biggest misconception by far has to be that I'm only in this for the money lol.
Q: What questions do you ask prospective clients?
A: What are your goals with the project? Where do you see yourself next year? What have you been listening to lately?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be open to suggestions and trust the producer's ear. A different perspective can be priceless.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbook Pro, Apollo Twin UAD, Moog One, Roli Seaboard and a set of Barefoot Monitors.
Q: What was your career path? How long have you been doing this?
A: It all started with piano lessons. I've been a student of music for about 20 years now. I knew early on that I'd like to be a producer when I saw the music video for "Try Again" by Aaliyah. Timbaland had an unmistakable sound that I could identify at an early age; The Neptunes too. I attended Berklee College of Music from 2009-2013 and took my knowledge and love for the craft to the next level. Since then I've been grinding on the east coast and snagged a few placements and plaques along the way. I'm always down to learn and look forward to the next stages in my career.
Q: How would you describe your style?
A: My style is edgy with a smooth finesse. Soulful but in a fresh way.
Q: Which artist would you like to work with and why?
A: I'd like to work with Rosalia. Her approach to popular styles is dope and I feel as though we would vibe. Working with her would force me to step out of my comfort zone as well.
Q: Can you share one music production tip?
A: Don't be afraid to be different.
Q: What type of music do you usually work on?
A: Hip-Hop and R&B because that's what I was raised on. But I always like to find different ways to flip it in a non-traditional sense.
Q: What's your strongest skill?
A: My knowledge of musical theory and piano is my strongest skill, thanks to all those years of grinding at the conservatory.
Q: What do you bring to a song?
A: I strive to bring a left-field perspective and flavor to songs. My goal is to find the element that pushes the song into the next dimension.
Q: What's your typical work process?
A: I usually start with a progression on keys since that is my main instrument. Then I'll loop up some drums and start building around that. I get all my ideas out over a loop then I copy paste the loop over a few times then start to take things away. This helps me get the arrangement started. From there I'll vibe out and see where the track leads me.
Q: Tell us about your studio setup.
A: My setup is anywhere I open up my laptop and plug in a midi keyboard. But if I'm feeling home-sick, I'll head home and sync up my mac to the focusrite. I'm running Yamaha Hs8s along with Tannoy's for the bottom end and a subpac for the real bottom end. I usually start ideas on the keys, either my Alesis or if I'm feeling experimental, my Roli Seaboard.
Q: What other musicians or music production professionals inspire you?
A: Kenny Beats' work ethic is inspiring. Flying Lotus continues to push the sonic envelope with every release.
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do for clients is music production. That includes providing beats or tracks for songwriters as well collaborating with other producers.
I was the Producer and Instrumentalist in this production
- ProducerContact for pricing
- PianoContact for pricing
- Beat MakerContact for pricing
- Keyboards - SynthContact for pricing
- Bass ElectricContact for pricing
- Sound DesignContact for pricing
- RemixingContact for pricing
Up to 2 revisions upon final recording/mix. Turnaround time is typically a few days for beats, 1 week for mixing/mastering, 1 day for piano instrumentation.
- Flume
- Kendrick Lamar
- Timbaland
- Logic Pro
- Waves Plugins
- Fabfilter Plugins
- SP404sx
- Macbook Pro
- Yamaha Hs8
- Subpac
- Roli Seaboard
- Maschine