And how can we expect anyone to listen if we are using the same old voice? We need new noise, New art for the real people!
Affordable Local Evil Business with Black Magic, the Temple of Mixing & Mastering Services for all Indie/Underground Defenders and Beyond...
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- Brigade Of Crow
- Roll Out
- Dystopian Dog
- Life Trap
- Sonic Reducer
- Norr Frygt
- Breh And The Bangsat
- Gaze Dread
- Bad Mouth
- Asylum Uniform
- Dark Torrent
- Xin Lie
- Spicy Dokha
- Sorrow Haunt
- Speed X
- Sugar Thrills
- Deki Darmawan
- Single Drop
- Total Jerks
- Toxic Mob
- Crucial Response
- The End Of States
- Chaos Decay
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Interview with The Pandora Labs.
Q: What are you working on at the moment?
A: Several bands from the Indonesian scene every month
Q: Analog or digital and why?
A: Are you human or robot?
Q: What's your 'promise' to your clients?
Q: What's the biggest misconception about what you do?
A: Art of Sounds and target for audience
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure it's the most basic things like DI, Post-Edit, and Reference that I'm passionate about working on
Q: What was your career path? How long have you been doing this?
Q: Can you share one music production tip?
A: Never feel lacking with your references for new things that can inspire
Q: What type of music do you usually work on?
A: Indie Pop/Rock to Underground Metal/Punk
Q: What's your strongest skill?
A: Loud, Loudess, Loudnest
Q: What's your typical work process?
Q: Tell us about your studio setup.
A: I do all the work on Dell computers with Focusrite and Yamaha HS as is common thing done in the studio with pro to standard quality
Q: What other musicians or music production professionals inspire you?
A: Andy Sneap, Butch Vig, and Kurt Ballou
Q: Describe the most common type of work you do for your clients.
A: I've always worked on projects from Indie Bands/Musicians to Underground, especially in the Indonesian scene through friendship networks. From the softness of Metal/Punk to the loudness of Pop/Rock.