An engineer blending extensive technical expertise with high-quality equipment and a deep passion for the audio craft!
My name is Takis, and I'm a freelance audio engineer based in Greece who enjoys recording and mixing music.
I have recorded bands in crappy rehearsal basements and living rooms, or fully isolated multi-track recordings. I've also worked with big orchestras and choirs at live show recordings, handled post-production tasks, and edited dialogue for short films, among many other projects.
My studio is called Chapter V Audio, but I'm not limited to working there. I'm open to working in different environments and love stepping out of my comfort zone. Feel free to send me your tracks for mixing, or let's find a location, whether it's a fully equipped recording studio or a spacious living room, to create some music together!
Would love to hear from you. Click the contact button above to get in touch.
Interview with Chapter V Audio
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I guess the recording that started it all. https://peopleisafraid.bandcamp.com/album/eloviivat
Q: What are you working on at the moment?
A: Various projects. From punk rock to neo-folk.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not sure. I'm new here. I have to look around.
Q: Analog or digital and why?
A: Both. I learnt that way.
Q: What's your 'promise' to your clients?
A: Honesty.
Q: What do you like most about your job?
A: Music. People. Gear.
Q: What questions do customers most commonly ask you? What's your answer?
A: This microphone sounds amazing. How much does it cost?
Q: What's the biggest misconception about what you do?
A: I'm an engineer.
Q: What questions do you ask prospective clients?
A: Tell me about your vision.
Q: What advice do you have for a customer looking to hire a provider like you?
A: No advices. Let's talk.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Mac mini with Reaper, RME BabyFace Pro, Empirical Labs Distressor, Coles 4038, Neumann KH 150
Q: What was your career path? How long have you been doing this?
A: Started as an electrical engineering student with a focus in digital audio signal processing & acoustics. A few years now.
Q: How would you describe your style?
A: Transparent. Band's style is important.
Q: Which artist would you like to work with and why?
A: D.I.Y. bands.
Q: Can you share one music production tip?
A: Quick decisions.
Q: What type of music do you usually work on?
A: Genres I like or respect.
Q: What's your strongest skill?
A: Listening.
Q: What do you bring to a song?
A: Movement.
Q: What's your typical work process?
A: Preproduction. Recording. Editing. Mixing.
Q: Tell us about your studio setup.
A: A Mac mini as a modern tape recorder. A rack full of analog gear. A few plugins. An optimised monitoring system.
Q: What other musicians or music production professionals inspire you?
A: Andrew Schneider, Scott Evans, Jay Maas, Kurt Ballou, Matt Bayles, Alex Ketenjian, Magnus Lindberg, Brad Boatright
Q: Describe the most common type of work you do for your clients.
A: Keep them focused.
- Mixing EngineerAverage price - $100 per song
- EditingAverage price - $40 per track
- Time alignment - QuantizingAverage price - $40 per track
- Programmed drumAverage price - $70 per song
- RestorationAverage price - $50 per hour
- Dialogue EditingAverage price - $75 per minute
- Podcast Editing & MasteringAverage price - $75 per podcast
Find more details in my personal website: https://chaptervaudio.com/about/
Or, feel free to e-mail me your questions!
- https://chaptervaudio.com/equipment/