Remote Mixing&Mastering

Stan Simon on SoundBetter

Two year I've mastered more than a hundred live rock concerts recorded for radio. Also made a dozen albums for vinyl, about 60 tracks for different musicians.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Interview with Stan Simon

  1. Q: What are you working on at the moment?

  2. A: Mastering regular LP.

  3. Q: Analog or digital and why?

  4. A: I combine, because all have pros and cons.

  5. Q: What do you like most about your job?

  6. A: I love music

  7. Q: What was your career path? How long have you been doing this?

  8. A: I've been doing this for about 15 years, starting with a concert sound engineer. Now I am working as a leading sound engineer in a big company, which includes several FM radio stations, recording and mastering studios and production of vinyl records.

  9. Q: What other musicians or music production professionals inspire you?

  10. A: John Vanderslice, Tore Johansson, Beck, Damon Albarn & more.

  11. Q: Tell us about your studio setup.

  12. A: 4 channels of Prismsound Dream DA&AD, Fairchild 670 (compressor), Franz EMT 156 (compressor), GML 9500 (EQ), EMI AbbeyRoad TG Console, Maselec MLA-2 (compressor), Maselec MPL-2 (limiter), Shadow Hills Mastering Compressor, TC Electronics M6000, Weiss DS1-MK3 (compressor), Weiss EQ1-DYN-LP (EQ), B&W 801, Classe CT-M600, Neumann KH120A. Universal Audio Apollo 8P+16Core Accelerators

  13. Q: What type of music do you usually work on?

  14. A: Rock, jazz, pop, and other

  15. Q: Describe the most common type of work you do for your clients.

  16. A: Mixing in the box, mastering for iTUNES/FM/CD/VINYL.

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SMASHWORLD_LP

I was the LP mastering engineer in this production

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