Remote Mixing&Mastering

Stan Simon on SoundBetter

Two year I've mastered more than a hundred live rock concerts recorded for radio. Also made a dozen albums for vinyl, about 60 tracks for different musicians.

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Interview with Stan Simon

  1. Q: What are you working on at the moment?

  2. A: Mastering regular LP.

  3. Q: Analog or digital and why?

  4. A: I combine, because all have pros and cons.

  5. Q: What do you like most about your job?

  6. A: I love music

  7. Q: What was your career path? How long have you been doing this?

  8. A: I've been doing this for about 15 years, starting with a concert sound engineer. Now I am working as a leading sound engineer in a big company, which includes several FM radio stations, recording and mastering studios and production of vinyl records.

  9. Q: What other musicians or music production professionals inspire you?

  10. A: John Vanderslice, Tore Johansson, Beck, Damon Albarn & more.

  11. Q: Tell us about your studio setup.

  12. A: 4 channels of Prismsound Dream DA&AD, Fairchild 670 (compressor), Franz EMT 156 (compressor), GML 9500 (EQ), EMI AbbeyRoad TG Console, Maselec MLA-2 (compressor), Maselec MPL-2 (limiter), Shadow Hills Mastering Compressor, TC Electronics M6000, Weiss DS1-MK3 (compressor), Weiss EQ1-DYN-LP (EQ), B&W 801, Classe CT-M600, Neumann KH120A. Universal Audio Apollo 8P+16Core Accelerators

  13. Q: What type of music do you usually work on?

  14. A: Rock, jazz, pop, and other

  15. Q: Describe the most common type of work you do for your clients.

  16. A: Mixing in the box, mastering for iTUNES/FM/CD/VINYL.


I was the LP mastering engineer in this production

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