I am a mixing, mastering & vinyl cutting engineer.
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Interview with Stan Simon
Q: Tell us about your studio setup.
A: 4 channels of Prismsound Dream DA&AD, Fairchild 670 (compressor), Franz EMT 156 (compressor), GML 9500 (EQ), EMI Abbey Road TG Console, Maselec MLA-2 (compressor), Maselec MPL-2 (limiter), Shadow Hills Mastering Compressor, TC Electronics M6000, Weiss DS1-MK3 (compressor), Weiss EQ1-DYN-LP (EQ), B&W 801, Classe CT-M600, Neumann KH120A, Universal Audio Apollo 8P+16Core Accelerators, Neumann VMS70&SAL74B cutting system, STUDER A80 1/2"&1/4" Tape Machines.
Q: What are you working on at the moment?
A: Mastering regular LP.
Q: Analog or digital and why?
A: I combine, because all have pros and cons.
Q: What do you like most about your job?
A: I love music
Q: What was your career path? How long have you been doing this?
A: I've been doing this for about 15 years, starting with a concert sound engineer. Now I am working as a leading sound engineer in a big company, which includes several FM radio stations, recording and mastering studios and production of vinyl records.
Q: What other musicians or music production professionals inspire you?
A: John Vanderslice, Tore Johansson, Beck, Damon Albarn & more.
Q: Describe the most common type of work you do for your clients.
A: Mixing in the box with analog mastering for iTUNES/FM/CD/VINYL.
Q: What type of music do you usually work on?
A: Rock, jazz, pop, and other