Mixage et mastering a distance

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: one of my track will appear in a film which will soon be released in cinema and netflix (The Music Island)

Q: What are you working on at the moment?

A: several projects in progress. soundtrack for documentary, mastering for client. and I'm still working on my artist projects Adonis FR

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Santiago mastering

Q: Analog or digital and why?

A: Digital, easy to use, flexibility, identical sound (99%) to the analog

Q: What's your 'promise' to your clients?

A: to do quality work, and adapt to their needs

Q: What do you like most about your job?

A: transmit emotion through sound

Q: What questions do customers most commonly ask you? What's your answer?

A: when will it be ready? 24/48 hours for mastering, 72 hours for mixing

Q: What questions do you ask prospective clients?

A: do you have a reference track or artist

Q: What advice do you have for a customer looking to hire a provider like you?

A: make sure that the track does not saturate, and deactivate all the plugins (not creative) of the master bus, as well as a mixdown version

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: macbook pro, speaker, midi keyboard, my plugins. (and a dynamo bike :) )

Q: What was your career path? How long have you been doing this?

A: I started production at 13, at 20 I went to a sound engineering school in Bordeaux (FRANCE). Around 25 years old I started to release my music to the label with my pseudo (Adonai, Adonis FR). I also work regularly for a video production company (voice mixing, soundtrack creation for video and documentary ...). Today I continue to produce under my nickname. and I mix and mastering and ghostprod for clients.

Q: How would you describe your style?

A: my style is minimal and clean. (I don't work with a lot of plugins, just a few that I know well). I also know how to use different plugins if necessary in certain cases for mastering.

Q: Which artist would you like to work with and why?

A: I would like to work with Boris Brejcha. He personally taught me a lot of mixing, mastering and musical creation techniques. I would like to work with him for a collaboration.

Q: Can you share one music production tip?

A: EQ solves a lot of problems. Not stacked full of processing. (less is more ...)

Q: What type of music do you usually work on?

A: electronic music, Techno, EDM,

Q: What's your strongest skill?

A: a good mastery of low frequency and loudness for club music and some musical genres. clean and balanced mixing and mastering,

Q: What do you bring to a song?

A: I bring personal mixing or artistic advice if necessary. frequency settings, dynamic, stereo.

Q: What's your typical work process?

A: first listening, gain adjustment, panoramique, EQ, dynamic adjustment.

Q: Tell us about your studio setup.

A: Adam audio S3X-H, Focusrite, Basstrap et Traitement acoustique HOFA akustik (absorber, diffusor). sonarworks plugins: fabfilter, sonnox, softube, plugin aliance, eventide, waves.

Q: What other musicians or music production professionals inspire you?

A: Boris brejcha, Deadmau5, Armin van buren, Stéphane Bodzin, Adonis FR

Q: Describe the most common type of work you do for your clients.

A: Mastering, Mixage, Ghostproduction, conseil