Session Guitarist and Composer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I'm proud of all my work, but when I first started writing for music libraries we would actually record at the music library studio as a live band. One of those sessions was for Omnimusic's release titled "American Road." It was on that day in the studio, surrounded by some great players, that I knew I had found my calling as a guitarist and composer. That feeling has never left me, and it's what I bring to every project I work on.

Q: Describe the most common type of work you do for your clients.

A: Delivering radio ready guitar and bass tracks that will elevate your song.

Q: What are you working on at the moment?

A: I'm currently working on new material to submit to some exclusive music libraries. Beyond that I'm always working on my playing. I still believe there's always room to grow as a musician. That drive to keep improving is something I bring to every session too. A player who is actively pushing themselves is going to bring more to your track than one who's coasting on what they already know.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Yes. Burak Besir. He is a tremendous talent and I highly recommend him. Five stars all the way!

Q: Analog or digital and why?

A: I love analog but I have to choose Digital. It's just more practical. I can make things sound more analog with virtual tape machines and software emulations of vintage gear. UAD and Steven Slate plugins are great for this. That said, it all starts with a quality analog capture through my UAD Apollo interface, so the signal hitting the digital domain is as clean and warm as possible from the very beginning.

Q: What's your 'promise' to your clients?

A: I will treat your music with the same care and respect that I bring to my own. You'll get a professional who listens carefully, delivers quality work on time, and doesn't stop until the part is right. Every project matters, every client deserves my best, and that's exactly what you'll get.

Q: What do you like most about your job?

A: Getting paid to play and create is a privilege that I never take for granted, and it keeps me approaching every project, no matter how big or small, with genuine enthusiasm and gratitude.

Q: What questions do customers most commonly ask you? What's your answer?

A: Can you match a specific tone or style? Absolutely. The best way to get there quickly is to send me a reference track or point me to a specific player whose feel you're after. I'll take it from there. How fast is your turnaround? It depends on the complexity of the project and how many stems are required, but I'll always give you a realistic delivery estimate upfront so there are no surprises. What's your revision policy? I typically include two revisions, which is usually more than enough when we've communicated clearly about the vision going in. What formats do you deliver in? Whatever you need. I work out of a professional Pro Tools studio so I can deliver in any format. Stems, mixed files, AIFF, WAV. Just let me know your preference. Can I hear samples of your work? Yes, my Spotify portfolio is the best place to get a feel for my range, though I'm happy to share additional material upon request.

Q: What's the biggest misconception about what you do?

A: Probably that versatility means you're not a specialist. I work across a lot of genres, and sometimes people assume that means you're a jack of all trades and master of none. But decades of writing for TV and sync licensing taught me that versatility has to be earned. You can't fake authenticity in a style you don't truly understand, because music supervisors and producers will hear it immediately. The other misconception is that session players just execute what they're told and leave their musicality at the door. The best session work happens when there's a real creative conversation or when the player brings something to the table that the artist hadn't thought of. I'm not there to be a human metronome. My goal is to make your track the best it can be.

Q: What questions do you ask prospective clients?

A: The first thing I want to know is what the track needs to feel like, not just sonically, but emotionally. What's the song about? What's the intended audience? Where do you see it being used? Those answers tell me a lot about what kind of part will serve it best. From there I'll ask about specific tones or feels you have in mind. Do you have a reference track? Are there guitars or bass parts on existing songs that capture what you're after? This isn't about copying anyone, it's about getting on the same page quickly so we're not going back and forth unnecessarily. I'll also want to know the technical details like key, tempo, time signature, file format preferences, and deadline. Getting the logistics right upfront saves everyone time and frustration down the road. And finally, what's your budget? Not because it changes how hard I work, but because it helps me understand the scope of the project and make sure we're a good fit before either of us invests too much time.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Come with a clear vision of what you're looking for, but don't worry if you can't fully articulate it in technical terms. That's what I'm here for. A reference track that captures the feel or vibe you're after can be worth a thousand words. The more context you can give me about your project, the better I can serve it. That said, leave a little room for collaboration. Sometimes the best thing that can happen is that a session player brings something unexpected that elevates the track in a way you didn't anticipate. I've been doing this long enough to know when to stick to the brief and when to offer an idea. Most importantly, hire someone whose ears you trust. Listen to their work, make sure their sensibility aligns with yours, and then let them do their job. A great session relationship is built on mutual respect. You trust me with your music, and I take that seriously.

Q: What was your career path? How long have you been doing this?

A: My career really took shape when I started composing background music for TV and multimedia 25 years ago. That path led me into the world of sync licensing, where I place music through production libraries that supply content to television, film, and other media. Running my own home studio has been central to that. It's where I write, record, and produce everything. Over the years I've built a catalog that has stood the test of time. One that continues to generate income and keeps me working full time as a professional musician. That kind of longevity doesn't happen by accident. It comes from consistently delivering quality work, understanding what the market needs, and treating every project with the same level of care and professionalism. Session playing has always been part of my musical DNA, and SoundBetter feels like a natural next step. A chance to bring that same professionalism and feel to other artists' projects.

Q: How would you describe your style?

A: Tasteful and groove-oriented. I'm not the player who's going to show off. I'm the one who's going to make your track feel better. Years of writing for TV and sync taught me that the right note at the right moment beats a hundred flashy ones, and that philosophy carries into everything I play. Whether it's a locked-in bass groove, a rhythm guitar part that sits perfectly in the pocket, or a melodic lead that serves the song, my goal is always the same: make it feel good and make it sound like it belongs there.

Q: Which artist would you like to work with and why?

A: Any artist who is passionate about what they're creating and feels I might be able to contribute something meaningful to it. After 25 years in music I've learned that the most important thing is connecting with someone who truly cares about their work. That energy is contagious, and it brings out my best playing. If you're excited about your project, I will be too.

Q: Can you share one music production tip?

A: Leave space. It sounds simple, but it's the lesson that took me the longest to really internalize. After years of writing for TV and multimedia, I learned that the most powerful musical moments are often the ones where you pull back rather than add more. A well-placed rest, a sparse guitar part, a bass line that locks in and stays out of the way. These things create room for the emotion to breathe. The tracks I'm most proud of aren't the busiest ones. And for a bonus tip - Start with the low end when mixing - Get a good balance with your kick drum and bass. A great mix starts with a solid foundation

Q: What type of music do you usually work on?

A: Most of my work lives in the pocket. Rock, Funk, Country/Western, Soul and Pop, where feel and rhythm are everything. After 25 years in the sync licensing world, I've had to be genuinely fluent across all of these genres rather than just dabbling, because the best music production libraries demand authenticity in whatever style they're targeting. My library catalogue even has some Latin, Jazz and Classical. In fact, my best performing song on Spotify is a Renaissance piece "The Fair Maiden"

Q: What do you bring to a song?

A: I bring high quality tone, feel, and musicality that serve the song first. Every note and part is crafted to enhance the track, whether through a subtle texture, a punchy rhythm, or a memorable lead. With experience in over 10,000 TV and media placements, I understand what works. My playing adds clarity, energy, and emotional impact, helping the song reach its full potential while fitting seamlessly into the arrangement. I also deliver mix-ready, clean stems, so your session stays organized and workflow-friendly.

Q: What's your strongest skill?

A: My strongest skill is knowing how to serve a track. After 25 years composing background music for TV and multimedia, I've developed a deep instinct for knowing what a song needs, and what it doesn't need. Whether it's laying down a solid rhythm guitar track, finding the right bass groove, or crafting a lead part that fits the emotional arc of a song, I bring the same approach: listen carefully, play tastefully, and deliver something the artist actually wants to use.

Q: What's your typical work process?

A: Once I receive your track and direction, I’ll review everything carefully to understand the vibe, references, and what the song needs. From there, I’ll record guitar (and Bass if requested) parts that support the track. Whether that’s subtle textures, tight rhythms, or more featured leads. I focus on tone, feel, and making sure the parts sit naturally in the mix. After recording, I edit and deliver clean, organized stems (both processed and dry if needed), ready to drop into your session. If revisions are needed, I’m happy to make adjustments to ensure everything fits exactly how you want. Turnaround is typically fast, and communication is always clear throughout the process.

Q: Tell us about your studio setup.

A: I work from a dedicated, acoustically treated studio optimized for critical listening and professional recording. My setup is centered around Pro Tools with an Apollo UAD interface, providing high-quality conversion and access to industry-standard UAD processing for clean, detailed, and mix-ready results. I use a range of electric and acoustic guitars, with tones covering everything from clean and ambient to driven and high gain, using both real amp setups and premium amp modeling depending on the needs of the track. Monitoring is handled through studio monitors and reference headphones to ensure accurate translation across all playback systems. All files are delivered clean, edited, and well-organized, with options for both processed and dry stems. My workflow is built for efficiency, consistency, and broadcast-quality delivery.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by a wide range of guitarists across styles, from the phrasing and harmonic sophistication of George Benson, Joe Pass, and Pat Martino, to the tone and expressive playing of David Gilmour and Stevie Ray Vaughan. I also draw from the energy and creativity of players like Jimmy Page, Eddie Van Halen, and Brian May, along with the modern groove-focused approach of Corey Wong. That mix of influences shapes my approach. Focusing on feel, tone, and serving the song, whether that calls for something subtle and tasteful or more bold and expressive.