I try to make my own individual sound for each song, different from other songs, because each song is like a new book.I am constantly studying materials for information. I believe that there is no limit to perfection in this area.
Since childhood, I listened to heavy music, then, like most, I started playing guitar, although I really wanted to play drums, but there were no competent teachers in the city. He played and collected various rock bands, participated in festivals with them. Then, in the first year of university, I became interested in sound recording and working with music in general, and I was pulled headlong into this field. Mostly I prefer to work with heavy music, but recently I like to work with lighter indie direction
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Interview with Siberian Cold Sound
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: an album by the local band Panic Row there was full participation in the recording (vocals, guitars, drums) and mixing of the album. In part, I think it's my merit that they were able to qualify for a big music competition and perform in the final in the capital of our country
Q: What are you working on at the moment?
A: a small pop-rock album in a symphonic arrangement for a band from a neighboring city
Q: What's your 'promise' to your clients?
A: full support during recording, help with how best to record and life hacks to improve and facilitate the process in order to get a high-quality recording, because the better the recording, the better the end result
Q: What questions do customers most commonly ask you? What's your answer?
A: Why is it so expensive? is it expensive compared to what? with another studio, if it's cheaper there, then they will do it to you as efficiently as I do? I doubt it, cheaper does not mean better
Q: What advice do you have for a customer looking to hire a provider like you?
A: don't be afraid and trust, maybe this will be a great start to a great project
Q: Can you share one music production tip?
A: if you have a crazy idea for a track, use it
Q: What's your strongest skill?
A: perfectionism until I like my own work and listen to it 100,500 times wherever I can, I will not consider that the work is finished
Q: What do you bring to a song?
A: great sound :D sound design where appropriate in my opinion, I correct the sources if possible to improve the overall sound
Q: Analog or digital and why?
A: Hybrid ^^ allows you to take delicious things from both worlds
Q: What do you like most about your job?
A: meet and communicate with new people. Listen to their musi
Q: What's the biggest misconception about what you do?
A: that it's easy and simple
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: hatchet, The book "how to survive on a desert island" and 1176, Clariphonic, Neve 2254 :D
Q: What was your career path? How long have you been doing this?
A: I have been engaged in conducting and working with music since the first year of university, so this is about 7 years already
Q: What type of music do you usually work on?
A: I mainly work on heavy music, but I also like to work on indie projects, acoustic songs
Q: What's your typical work process?
A: I listen to each new project for a very long time, I note the problem areas of the song, how it could be fixed. then I make small edits in the box and output it to analog equipment
Q: Tell us about your studio setup.
A: In the os, I use a hybrid setup of work, i.e. I do some of the work in the box, the rest I do on analog equipment
Q: What other musicians or music production professionals inspire you?
A: I am very inspired by such masters as Chris Lord Alge, Michael Brower, Andy Wallas, Andrew Sheps.
Q: Describe the most common type of work you do for your clients.
A: I mainly perform mixing and recording of instruments: Vocals, guitars, drums, etc
I was the Mixing engeneer in this production
- Mixing EngineerAverage price - $150 per song
- Mastering EngineerAverage price - $70 per song
- Pop-Rock ArrangerAverage price - $100 per song
- Live drum trackAverage price - $100 per song
- Vocal TuningAverage price - $50 per track
- EditingAverage price - $50 per track
- Electric GuitarAverage price - $70 per song
each project is individual and requires its own time costs, but on average it is about 10 days. I correct the sound until the client is satisfied. I am very happy to receive feedback.
- Sum 41
- Texas Hippie Coalition
- Sabaton
- APS Klasik 2020
- APS COAX
- Soundcraft MH4
- DBX(1046
- 1066
- 160A)
- BSS DPR-402 Yamaha REV-5
- SONY DPS-V77
- TC Electronic( M3000
- D-TWO)
- YAMAHA STAGE CUSTOM DRUMS
I am open to all discounts, and projects with several songs to mix. Contact me and we will discuss the terms of working on the song