My job is pretty simple: To bring out the best possible version of your work into something that you are truly proud of.
Mastering Engineer at ZS Mastering, working within a spacious, custom built mastering suite designed from exacting, unyielding specifications.
I will master your music to commercial-grade quality; release ready for any format and playback system and in any listening environment at an affordable price. Many of the tracks I've worked on have received radio airplay and have been heard by millions of music fans.
Provided will be a FREE sample of a song of your choosing with every project prior to starting. Alongside that will be track-by-track mix analysis with suggestions. That way you will be 100% confident that it will be your FINAL master with professional results.
UNLIMITED free revisions.
$70 - standard stereo master
(with lifetime, locked-in special rates exclusive toward sound better clients, see "SOUNDBETTER DEAL" below)
$100 - stem master
Large project? No problem! Feel free to get in touch with me in order to help determine the scope, time, and budget of your project so that we can fit your needs.
Professional results, 24-hr turnaround time
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
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Interview with Zak Sipe
Q: What questions do you ask prospective clients?
A: What songs have you been listening to in your car lately?
Q: What do you like most about your job?
A: Working with great people and having the opportunity to make a sonic impact on the world
Q: What's the biggest misconception about what you do?
A: "Just making things louder". Well, yeah that's part of it, but a wise dude once said it's not how loud you make it, but how you make it loud!
Q: How would you describe your style?
A: Clean & organic
Q: What type of music do you usually work on?
A: All sorts
Q: What's your strongest skill?
A: My ability to listen and bring an artist's vision to life
Q: What do you bring to a song?
Q: Tell us about your studio setup.
A: It took me a while, but aside from all the gear I'm probably most proud of the actual room and acoustics themselves. They really lend themselves to give me an accurate picture of what's really going on in any given mix or recording so that I can use my ears to properly apply any gear the song's telling me it needs.