Morgan Nicolaysen

Mastering Engineer

Morgan Nicolaysen on SoundBetter

Mastering engineer at Propeller Mastering in Oslo, Norway.

With a background as a classical trumpet player, my passion has always been within music and arts. I started as a mastering engineer at the age of 21 and have worked with music spanning from classical and jazz to metal and RnB. I currently work at Propeller Mastering in Oslo doing projects for labels such as Universal Music, Warner (and former EMI), Sony, as well as indie labels.

Would love to hear from you. Click the contact button above to get in touch.


AllMusic verified credits for Morgan Nicolaysen
  • Adam Douglas
  • Ingebrigt Håker Flaten
  • Death by Unga Bunga
  • Gjermund Larsen Trio
  • Yung Lean
  • Ketil Bjørnstad
  • Ketil Bjørnstad
  • Joachim Knoph
  • Atomic
  • Atomic
  • Albatrosh
  • 1B1
  • Reza e i Ragazzi
  • Jaga Jazzist
  • Wardruna
  • Pixel
  • Hanne Hukkelberg
  • Pixel
  • Ole Børud
  • 1982
  • Anne Grete Preus
  • Ine Hoem
  • Eva Weel Skram
  • Nypan
  • Nypan
  • Bendik Baksaas
  • Mopti
  • Eyolf Dale
  • Scheen Jazzorkester
  • Einar Stray Orchestra
  • Eva Weel Skram
  • Eva Weel Skram
  • Pixel
  • Torun Eriksen
  • I.P.A.
  • Adam Douglas
  • Sudan Dudan
  • Skadedyr
  • Skadedyr
  • Håkon Kornstad
  • Espen Eriksen Trio
  • Pristine
  • Finn Coren
  • Huntsville
  • Einar Stray Orchestra
  • Audun Trio
  • Eva Weel Skram
  • Ole Børud
  • Poing
  • Håkon Kornstad
  • Bjøro Håland
  • Racing Heart
  • Eyolf Dale

Interview with Morgan Nicolaysen

  1. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  2. A: Salt water distiller, kiteboard, kite, leatherman, gaffers tape

  3. Q: What was your career path? How long have you been doing this?

  4. A: I started out as a classical trumpet player and started recording and live sound engineering during my high school years. After high school, I started studying recording and mixing with Bruce Swedien. After audio engineerin studies I got headhunted by one of the major mastering studios in Oslo. After working there for 4 years, I joined the team at Propeller Mastering in 2009. Have been mastering full time since 2004.

  5. Q: What do you like most about your job?

  6. A: Working with talented artists, producers and engineers together with my great colleagues.

  7. Q: Can you share one music production tip?

  8. A: Imagine your sound field as a big canvas or a movie screen. Use the entire canvas and just not the middle of it. Break the rules!

  9. Q: What type of music do you usually work on?

  10. A: Jazz, classical & film score, folk, pop, rock, soul

  11. Q: What do you bring to a song?

  12. A: In the pursuit of goosebumps, I turn the good things up and bad things down.

  13. Q: What's your typical work process?

  14. A: Client either uploads the track through our file delivery system or they bring their mixes to the session. If time allows, I'll have a quick listen to the mixes and give any feedback if necessary. When the mastering is done, I'll send a reference master to the client online for approval.

  15. Q: Tell us about your studio setup.

  16. A: The Propeller Mastering room is designed by Munro Acoustics (UK) and matched with a pair of ATC SCM100 ASL Pro. Conversion by Forssell Technologies and custom outboard by Roger Foote of Foote Control Systems

  17. Q: What other musicians or music production professionals inspire you?

  18. A: Alison Krauss, Madeleine Peyroux, Melody Gardot, Sarah Jarosz, James Taylor++ In general artists that dare to keep it simple and let the music breathe and the producers and engineers that work with them. Al Schmitt, Helik Hadar, Dave O'Donell, Gary Paczosa.

  19. Q: Describe the most common type of work you do for your clients.

  20. A: I spend most of my days mastering music in all types of genres. Spanning from classical and jazz to metal and house/RnB. Most of my clients are from Norway and include all the major labels as well as indie artists. In addition to mastering, I also record and mix music on a regular basis.

Terms Of Service

Depending on current workload, I try to deliver single masters within 2-3 days. Album lead times is approx 2-3 weeks. 1 revision included. Mix feedback also available prior to mastering.

Gear Highlights
  • ATC loudspeakers
  • Forssell Technologies conversion
  • custom analog outboard by Roger Foote of Foote Control Systems
More Photos
More Samples
SoundBetter Deal

-10% on the first order through SoundBetter