R. Newell Wood Music on SoundBetter

I specialize in orchestral epic pieces, classical-style compositions, and other music for media, film, online content and advertising. I can also orchestrate whatever you need, I have an intuitive understanding of the best color and instrumentation for any piece, based on training and years of performance experience.

I am passionate about creating music. I could write 24 hours a day and still not have my fill of it. I promise I will demonstrate that passion in whatever projects you choose to trust me with. I will work until you are satisfied.

I consider compositions of orchestral, cinematic, and piano genres to be my specialty areas, but I am always interested in writing new and unique styles, including electronic, to meet your requirements. I can also orchestrate for your projects of any size.

Send me a note through the contact button above.

4 Reviews - 1 Repeat Client

Endorse R. Newell Wood Music

by swamy
Verified
Working with R. Newell has been an absolute pleasure. Beyond his exceptional talent and vast experience in music, he brings an unmatched level of warmth and professionalism. He understood my vision, was proactive in communication, clear in setting expectations, and lightning-fast in execution, R. Newell is a master of his craft. His dedication and creative insights transformed my arrangement, adding immense value and depth.I wholeheartedly recommend R. Newell to anyone.
by Wladimir S.
Verified
Very talented musician. Happy I got to collaborate with him. Will do it again with no hesitation !!
by Wladimir S.
Verified
Randy is a fantastic composer. He is precise, meticulous, and delivers outstanding results promptly. I will continue working with him and highly recommend his services.
by Wladimir S.
Verified
I thoroughly enjoyed working with Randy. He delivered high-quality music and maintained excellent communication throughout the project. I look forward to collaborating with him again in the future.

Interview with R. Newell Wood Music

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I've scored for three short films which won "Best Music" in their category for the Orlando Independent Filmmakers' challenge series. I was nominated for a fourth.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Look for someone willing to go the extra mile and provide a guarantee of satisfaction. Music is an art, and sometimes it takes multiple iterations to produce just the right sound.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Assuming there is no electricity - I'd take a recorder (instrument), xylophone, bassoon, bongo drum (for release of frustrations, if nothing else!) and writing pad, with the hopes I'd one day be rescued and could contribute written pieces to the repertoire.
Q: What was your career path? How long have you been doing this?
A: I have been writing music for over twenty years. Only relatively recently have I decided to take it to the next level, simply because there are not enough hours in the day to have a day job and write as much music as I would like.
Q: How would you describe your style?
A: Classical with a hint of "neo".
Q: Which artist would you like to work with and why?
A: Thomas Newman. I love the simple, beautiful passages he writes to bring out just the right emotions.
Q: Can you share one music production tip?
A: Know your libraries. There are intricacies to each virtual instrument that you need to be aware of to create the most realistic sounds.
Q: What type of music do you usually work on?
A: Film scoring, orchestral, small ensembles.
Q: What's your strongest skill?
A: I have an intuitive approach to orchestration. I know where to use various instruments for best effect. I indeed "hear the music in my head".
Q: What do you bring to a song?
A: I can write lyrics, especially for theatrical productions and musicals.
Q: What's your typical work process?
A: Depends on the project. For large film scores, I always develop a working cue sheet, after first spotting the film a number of times. I decide on overall style with input from the director and set the preliminary instrumentation. Once I start the cues, I develop a few contrasting cues and request feedback from the director before moving forward.
Q: Tell us about your studio setup.
A: I use Studio One as my DAW, with a large number of virtual instruments, including many Spitfire libraries and numerous Kontakt-powered instruments.
Q: What other musicians or music production professionals inspire you?
A: Two Steps from Hell, James Newton Howard, Alexandre Desplat, Thomas Newman, John Williams, Hans Zimmer.
Q: Describe the most common type of work you do for your clients.
A: Custom composition, primarily orchestral in style and instrumentation; film scoring; theatrical music, including lyrics and score; other custom music as requested. I have experience composing film scores for comedy, historical drama, light sci-fi, and fantasy.