Music producer and Mixer

Q: What type of music do you usually work on?

A: I primarily work on guitar-driven music, specializing in Rock, Alternative, Heavy Metal, Pop-Punk, and Modern Pop. With my background and personal influences ranging from classic Hard Rock to modern Melodic Hardcore, I excel at projects that require heavy, punchy drums, thick guitars, and a powerful, dynamic vocal presence.

Q: What do you bring to a song?

A: I bring a balance of deep musicality and high-end technical precision. With over 15 years of experience and formal training from Berklee College of Music, I don't just treat a mix or production as a technical puzzle; I approach it as a musical arrangement. I bring an objective ear to help emphasize the emotional core of your song, ensuring the dynamics hit hard where they need to and the track breathes where it should. Ultimately, I bring that massive, three-dimensional analog punch that takes a track from sounding like a great demo to a competitive, major-label release.

Q: What's your typical work process?

A: t always starts with listening. Before touching any faders, I analyze your rough mix and reference tracks to deeply understand the emotional core of your song. Once we are aligned, I bring your stems into my hybrid setup. If it's a production or session gig, I track through real tube amps and my BAE 1073 to establish a powerful analog foundation. For mixing, I run the tracks through premium outboard gear and Universal Audio converters to ensure maximum depth and punch. After delivering the first pass, we collaborate through up to 3 revision rounds to surgically tweak the details, ensuring the final, high-res master matches your exact vision.

Q: Tell us about your studio setup.

A: I operate a high-end hybrid studio designed to deliver major-label punch and warmth. At the heart of my setup are pristine Universal Audio converters and a classic BAE 1073 preamp to capture that thick, authentic analog depth right at the source. I mix primarily in Logic Pro, utilizing the best digital tools alongside real outboard gear to get a massive, three-dimensional sound. For tracking and session work, my space is equipped with a locker of industry-standard microphones, a collection of real tube amps, and an arsenal of premium guitars—including my go-to Les Paul Custom—ready to nail the exact tone your song needs.

Q: What other musicians or music production professionals inspire you?

A: I draw huge inspiration from the timeless analog sound of the classics, but I'm equally driven by the punch of modern production. My influences range from legends like George Martin, Eddie Kramer, Quincy Jones, and Alan Parsons, to modern masters like Max Martin, Paul Epworth, Rick Rubin, and Mark Ronson.