Producer/Mix Engineer

Q: Describe the most common type of work you do for your clients.

A: The goal is always for listeners to feel what the artist felt at their highest point of inspiration. I often start by refining individual tracks on a technical level - tightening a beat, replacing a sound or two. Adding or enhancing an existing sound. I’m first and foremost a programmer and have a deep understanding of how sounds work in unison. I am also very well versed in orchestration and will often add symphonic elements to the tracks I produce.

Q: Analog or digital and why?

A: Both. They are both immensely poweful tools for making music sound great! In conjunction, even more so.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Focus on finding your voice, your sound. That one thing that sets you apart. Don't sweat the details, I will : )

Q: What was your career path? How long have you been doing this?

A: A long time. I have been a Universal Music recording artist, a remixer, a beatmaker, a composer for film and television, a mastering engineer. I've worked on hundreds of releases and worn every hat as both an artist and as a producer.

Q: How would you describe your style?

A: A cross between FKA Twigs, NIN, and Massive Attack.

Q: Can you share one music production tip?

A: Learn to use transient designers, don't overdo it!

Q: What type of music do you usually work on?

A: Many different styles, but there is almost always an electronic component to the music I work on.

Q: Tell us about your studio setup.

A: On the software side, my mix DAW is Protools. I use a combination of Logic, Live, and Cubase for writing and programming. I use Wavelab for mastering. Hardware: I use Burl and Lavry AD/DA, a Dangerous monitor controller, Focal and Genelec monitors.

Q: What other musicians or music production professionals inspire you?

A: Flood, Robert Del Naja, Buddy Ross, Neptunes

Q: Tell us about your studio setup.

A: My mix DAW is Protools. I use a combination of Logic, Live, and Cubase for writing and programming. I used Burl AD/DA, a Dangerous monitor controller, Focal and Genelec monitors.

Q: What other musicians or music production professionals inspire you?

A: Flood, Robert Del Naja, Buddy Ross, Neptunes

Q: Describe the most common type of work you do for your clients.

A: The goal is always for listeners to feel what the artists felt at their highest point of inspiration. I often start by refining individual tracks on a technical level - tightening a beat, replacing a sound or two. Adding or enhancing an existing sound. I’m first and foremost a programmer and have a deep understanding of how sounds work in unison. I am also very well versed in orchestration and will often add symphonic elements to the tracks I produce.