I love to work with people who have great songs and want to take them to the next level. I've produced records for artists from all over the U.S / U.K/ and France, with well over 200,000,000 streams and gold and platinum sales. But that's not the important part.
With over 30 years of playing bass in and recording in the Razz and Tommy Keene and producing records for Fugazi/Tommy Keene/ Girls Against Boys/ Jawbox/ Tripping Daisy/ Shudder to Think, Ruth Ruth, Stanford Prison Experiment and many others in the United States , and on the other side of the Atlantic producing French alt stars Noir Désir, Gâtechien,The Hyènes , Dirty Hands, and Irelands "Future Kings of Spain"and others, I've learned that performance and focus make good songs great songs and artists I've worked with like those above seem to agree.
My productions tend to be lean but not minimal, even if there are numerous guitar tracks, etc.
I help artists to achieve tight and dynamic performances that feel , and are) natural, no matter what genre of music is.
Send me a note through the contact button above.
Credits
AllMusic verified credits for Ted Niceley- Backbone Party
- Tommy Keene
- Tommy Keene
- Gâtechien
- Black Market Baby
- Goodness
- Tommy Keene
- Future Kings of Spain
- Girls Against Boys
- Laura Dawn
- The New Rising Sons
- The New Rising Sons
- Goodness
- Stanford Prison Experiment
- Shudder to Think
- Carrie
- Cinnamon
- Tripping Daisy
- Noir Désir
- Girls Against Boys
- Girls Against Boys
- Fire Party
- Girls Against Boys
- Mind Science of the Mind
- Frente!
- Frente!
- Frente!
- Girls Against Boys
- Girls Against Boys
- The Meatmen
- Grither
- Girls Against Boys
- Girls Against Boys
- Tripping Daisy
- Girls Against Boys
- Girls Against Boys
- Ruth Ruth
- Stanford Prison Experiment
- Noir Désir
- Trampoline
- Trampoline
- Jawbox
- Shudder to Think
- Shudder to Think
- Jawbox
- Girls Against Boys
- Mother May I
- Monsterland
- Fugazi
- Tommy Keene
- Tommy Keene
- The Buck Pets
- Girls Against Boys
- The High-Back Chairs
- Dead Milkmen
- Dead Milkmen
- Dead Milkmen
- Noir Désir
- Noir Désir
- Dirty Hands
- The High-Back Chairs
- Fugazi
- Fugazi
- Tommy Keene
- Tommy Keene
- Tommy Keene
- Noir Désir
- Noir Désir
- Mother May I
1 Reviews
Endorse Ted NiceleyTed is an outstanding producer with an impeccable ear for detail, groove and feel. Whether it’s arranging the song or coming up with musical ideas, he’s totally professional but with a great vibe and spirit. He helps build a rock solid foundation with the rhythm section, and all the overdubs are perfectly curated so that only what’s needed to make the song shine is added.From pre-production through recording, overdubs and mixing, Ted is totally dedicated to making the songs sound and be the best they possibly can. He’s a pleasure to work with.
Interview with Ted Niceley
Q: What are you working on at the moment?
A: I've been producing/ co-producing an artist out of France who I worked with before in 2010 when he was in a group called BackBone Party as Vocalist / Bassist/ Composer. Now solo, Outstanding in every way.
Q: What questions do customers most commonly ask you? What's your answer?
A: What do I think about the song(s).
Q: What questions do you ask prospective clients?
A: What have you've seen or heard lately that you've enjoyed, like? What made you want to work with me? Are you familiar with the artists I've worked with?
Q: Which artist would you like to work with and why?
A: I don't have any "dream dates", to be honest. I like great songs. There are a lot of talented people out there, are you one of them?
Q: What do you bring to a song?
A: A fresh set of ears and no agenda other then a great feel and everything working together. Bring out the best in everything that's there. Discuss any concerns that the artist is feeling about the track .
Q: Tell us about your studio setup.
A: I like to work with engineers I have experience with for projects I'm involved with. I like to keep my focus on the song and the artist.
Q: How would you describe your style?
A: Classic. Not genre specific.
Q: Can you share one music production tip?
A: Focus on the song. Is the arrangement working, can anything be improved ?
Q: What other musicians or music production professionals inspire you?
A: Too many to name here but I'm looking forward to discussing with you!
Q: Describe the most common type of work you do for your clients.
A: Production,Remix/Additional Production/ Bass
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I did a remix /additional production on a song by Frente!, called "What"s Come Over Me". It was from the follow up to their breakthrough lp "Marvin The Album", called Shape. It came to me with a weird percussion loop, they had tracked guitars, vocals, everything but drums. Engineer/Mixer Andrew Baker and I with the help of our studio assistant and his Roland 8 channel digital sampling keyboard ( this was pre Pro -Tools) were able to take a real drum drum track that we recorded with excellent drummer Kevin March (Dambuilders/ Shudder to Think / Guided By Voices) to a click and gently nudged everything into tempo, as all the players had a different idea of which "side of the beat" to play on. Vocalist Angie Hart was perfectly on.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I actually recorded ( as a musician) on a tropical island! Sunscreen. A guitar tech. A solar powered generator A sense of humour. A solar powered generator. Bathing suit?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be open to ideas and consider everything.
Q: What was your career path? How long have you been doing this?
A: I started off playing bass professionally in bands in 1972. I took a lot of interest in the recording end of thing's starting with my first group, watched the engineers, read magazines like Recording Engineer and Producer" and applied the knowledge I picked up to projects I was working on. When I was playing bass with Tommy Keene we co produced our first independent ep and it received 4 stars from Rolling Stone magazine. I was playing in a group that first was signed to an independent then a major label and was produced and mixed by Bob Clearmountain, William (Bill) Wittman, Geoff Emerick, T-Bone Burnett, and others. I went pro as a producer in 1991.
Q: What type of music do you usually work on?
A: Pop rock in general.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Carl Glanville. We've been working together off and on since 1996 and he is my engineer of choice. Very versatile.
Q: Analog or digital and why?
A: A combination of both is the best but at the moment we"re in the box with great converters and a fair amount of "real" outboard , knobs, switches and all!
Q: What's your 'promise' to your clients?
A: You'll be amazed at how good you really are.
Q: What do you like most about your job?
A: Helping artists get the most out of their songs and performances.
Q: What's the biggest misconception about what you do?
A: That bells and whistle"s are more important than the performance.
Q: What's your strongest skill?
A: Getting the best out of the artist(s).