Your music is in good hands.
Like a masterfully taken photograph, transparency is at the heart of my approach to any recording, mix, or master. Whether a project requires skillfully combining over 100 tracks, or the insight of knowing when less is more, I strive for every project I work on to be presented its best sonic representation. My goal is for every piece of music I touch to sound exactly as it is meant to, absolutely magical.
My work has taken me from recording Grammy award-winning artists live at the 50th Anniversary of the Monterey Pop Festival, to recording performances of Vivaldi's concertos in a 16th century Venetian cathedral, and many places in between. I have mixed and mastered records reviewed by Downbeat magazine, recorded live performances of full symphony orchestras, and engineered complex studio sessions with over 20 musicians playing simultaneously.
I love working on an eclectic mix of genres and styles, each presenting their own challenges and required set of skills. For me, one of the most exciting aspects of working on music is that each project is unique, and that there is always new music to be experienced.
Contact me through the green button above and let's get to work.
Credits
- Marcus Shelby
- The Tenderloins
- Ross Hammond
- Kevin Archie
- 50th Anniversary Monterey International Pop Festival
- Ryan Enright
- Sacramento Choral Society and Orchestra
- Katalysst
- Jennifer Reason
- Carrie Hennessey
- BASI Vibe
- City Water
- Joe Mazzaferro
- Dolores 5000
- Camerata California
- Casey Lipka
- Paul Miksis
- 29th Street Swingtet
- DHS Baroque Ensemble
- Recording StudioAverage price - $400 per day
- Mixing EngineerAverage price - $250 per song
- Live SoundContact for pricing
- Ross Hammond
- BASI VIBE
- Get The Wall
- Neumann
- AKG
- Focusrite
- Grace Designs
- RME
- Universal Audio
- Audient
- JDK
- Peluso
- Overstayer
- Dangerous Music
- Sytek
