Marcos Gomes, mixing and mastering engineer based in São Paulo, Brazil. Courses done provided by Audiobrazil school from Brazil, I had training about producing, Pro Tools (even using another DAW) and engineering. But also learned about my current DAW (Harrison Mixbus)
On-line service work being mixing and mastering;
I work with .WAV or .AIFF
DAW: Harrison Mixbus v7
Interface: Steinberg Ur22
Monitors: Edifier R1280Db
Headphones: ePlay Powered EP420
Depending of the hour you hire me next day will be the beginning until the end of the entire day or the next day, but normally I work fast within hours
I will deliver for you for mixing 3 files:
32-Bit for mastering purpose
You can ask for mastering from stems service too.
I don't provide vocal correction with fine tuning for now neither autotune, but will look for this question for the future.
Send me an email through 'Contact' button above and I'll get back to you asap.
6 ReviewsEndorse Marcos Gomes
Mastered my song very fast and put a lot of care and analysis into it. He ran my track through the Ozone suite and polished it very well.
When I heard his 24 bit master of one of my songs, I was really blown away by how clean it sounds. I very highly would recommend Marcos for everybody
Marcos Gomes is the best engineer you can find . I loved his services and would recommend him for everyone
This guy is incredible, he mastered my track in a couple of hours. He is the guy you want with your music trust me 100%
Dope producer I met on the net, I like his production style, trust me, working wit him you'll never regret it, he really help me a lot on my small budget, thank broda Marcos. ♥️
He cares about your vision on how you want your music to sound. The unlimited revisions he offers only makes his work even better. Definitely my go-to guy for mixing and mastering.
Interview with Marcos Gomes
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: A synthpop that the guy is now my friend, he's very tallented. I was the engineer.
Q: What are you working on at the moment?
A: Contests, beats and some projects that come.
Q: What do you like most about your job?
A: I like so much music, how can the human create it and for me mixing and mastering is very funny.
Q: What questions do customers most commonly ask you? What's your answer?
A: Deadline related things, price and if I use analog. I say I can do faster or slow, depends of the whole aspect of the songs and now I use ITB, but even analog based mixing and mastering projects can have problems.
Q: What questions do you ask prospective clients?
A: If I can use for portfolio the worked songs
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Phonic T8200 PC or Mac EDIFIER monitors Steinberg interface FL Studio for DAW
Q: What was your career path? How long have you been doing this?
Q: How would you describe your style?
A: I don't like a dry song in general, but not so much modified, I am between light and heavy, not so much light, not so much heavy song style. I listen to a lot of genres.
Q: Which artist would you like to work with and why?
A: Peter Gabriel. Sonority of his songs, ideas, he's a very tallented person. I also am a fan of my teacher Will Geraldo, he's a genius and very kind person.
Q: Can you share one music production tip?
A: Try to find some answers yourself, a lot of things to learn, but a lot you assimilate.
Q: What type of music do you usually work on?
A: I have my preferences about mixing and mastering, but I don't grab myself about so much concepts, if the song is great, I want to work this project.
Q: What do you bring to a song?
A: Emotional curve, solutions for possible errors and since I am very serious person I try to catch your vision and allign with mine for a great result. Both parts happy
Q: What's your typical work process?
A: I receive the file, analyze for issues and if it has a minimal for being worked, if not I ask for record again, so start to look for great ideas for the whole thing, do the corrective and creative aspects, analyze more and deliver in the mixing case 3 versions: 32, 24 and 16-Bit, 32 for another engineer mastering it, 24/16 for launching directly if approved. I try to stay -3 of peak for a great headroom and for mastering also accept from stems.
Q: Tell us about your studio setup.
A: Actually In the Box, for the future will buy some gear; Monitors: EDIFIER R1280Db (great set that speaks 55 Hz ~ 20 kHz) Interface: Steinberg Ur22 PC: Windows 10 DAW: FL Studio 20 (since 2010)
Q: What other musicians or music production professionals inspire you?
A: Sensible artists with a great vision, great messages passed.
Q: Describe the most common type of work you do for your clients.
A: Mixing their tracks looking for a good balance of the mix with a good shape, harmony. Mastering their tracks bringing the most about quality the music can have with a good volume and great practices.
Q: What's the biggest misconception about what you do?
A: In my opinion the desire people have about their song sounding like another one. Why? Every song is different, is like people, every person is different. You can have similarities, but references are only for an idea, not the idea. It's my opinion.
Q: What's your 'promise' to your clients?
A: Quality, I don't prepared myself with courses in vain, I want to provide good quality services for my clients.
Q: What's your strongest skill?
A: Mixing and mastering
Q: Analog or digital and why?
A: Nowadays I use digital, but I prefer analog., why? In general warmer sound, but if the right person works with digital only, he/she will make wonderful things about songs mixing and mastering.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Explain all the project, the intention, give information about tempo and prepare files for mixing and mastering.