Mixing and mastering engineer | Accessible professional quality | Analog gear
I'm a mixing and mastering engineer with 3 formal audio courses and years of hands-on
experience. I work across genres — Hip Hop, EDM, Pop, Rock, Folk and more — always with
the same goal: a clean, punchy, emotionally engaging result that serves your vision.
My business model is professional quality at an accessible price — not a temporary
discount. My process is meticulous: I analyze the full song first, balance levels in
mono, then work the stereo field, EQ and compression — including analog processing in
my chain — cross-checking every decision on calibrated studio monitors and professional
reference headphones.
What you get:
• Full mix and master of your song
• Vocal and instrument tuning included
• 4 revisions
• Fast delivery — typically 2 days
• The FL Studio 26 session file (.FLP) — you paid for the work, so you own the project
Important: I can't work on uncleared samples.
If your track contains samples, make sure they're licensed — this protects both of us.
Tell me about your project through the Contact button — references, tempo, and your
intention for the song help me deliver exactly what you're hearing in your head.
Would love to hear from you. Click the contact button above to get in touch.
Endorse Attriuzen19 Reviews - 1 Repeat Client
check_circleVerifiedMarcos really listens to the artist and mix engineer when it comes to the intent behind the final sound they want. He is very professional and patient. Will be doing more work with him without a doubt.
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Very pleased with Marcos's work. He listens well and has a professional process.
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Very nice experience working with Marcos. Him being my first ever engineer. He genuinely wanted to make the song sound better and did a great job. I will definitely be reaching out to him again soon.
Very pleased with their work and is very professional, will work with them again.
Very pleased with their work and is very professional, will work with them again.
Very pleased with their work and is very professional, will work with them again.
Top mixing and mastering quality, he makes every song better. Love to work with him. He always finds time and do as you want.
Really good service works well with amateur and professional artists artists would highly recommend services
Really good service works well with amateur and professional artists artists would highly recommend services
I contacted him for a master and I was very happy with what he sent back! He was very prompt with response and delivery, his master was the perfect level of loud to my ears while maintaining clarity! Would recommend as well as contact agaiin!
Did a great job on a hip hop track I'm working on.
Marcos really came through on my song ,called 6 you can check it soon.Im Casper Kelvin and the turn around was in hours.Guy's committed to what he does and delivers quality.I really appreciate having looked him up.
The way he master my track is mind blowing it so clean and amazing i really love to work with him again
Mastered my song very fast and put a lot of care and analysis into it. He ran my track through the Ozone suite and polished it very well.
When I heard his 24 bit master of one of my songs, I was really blown away by how clean it sounds. I very highly would recommend Marcos for everybody
Marcos Gomes is the best engineer you can find . I loved his services and would recommend him for everyone
This guy is incredible, he mastered my track in a couple of hours. He is the guy you want with your music trust me 100%
Dope producer I met on the net, I like his production style, trust me, working wit him you'll never regret it, he really help me a lot on my small budget, thank broda Marcos. ♥️
He cares about your vision on how you want your music to sound. The unlimited revisions he offers only makes his work even better. Definitely my go-to guy for mixing and mastering.
Interview with Attriuzen
Q: Describe the most common type of work you do for your clients.
A: Mixing their tracks for balance and harmony, then mastering them for the best possible quality — good loudness and clean translation across every system.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: A synthpop track from an artist who's now a friend — very talented. I was the mixing and mastering engineer, and seeing his vision come through the final master was the best part.
Q: What are you working on at the moment?
A: Contests, beats, and ongoing mixing/mastering projects that come in.
Q: What do you like most about your job?
A: Music itself — how humans create it. Mixing and mastering is where I get to help that creation sound its best, and that's genuinely fun for me.
Q: What's the biggest misconception about what you do?
A: That a song should sound like someone else's. References are a starting point, not the destination — every song is different, like every person. You can aim for similarities, but the goal is the best version of *your* song.
Q: What questions do you ask prospective clients?
A: What's the intention behind the song, what references they have in mind, the tempo, and whether I can showcase the finished track in my portfolio.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Explain the whole project: your intention, reference tracks, tempo, and make sure your files are prepared properly (stems named and organized). The more context I have, the faster and closer to your vision the result will be.
Q: What was your career path? How long have you been doing this?
A: Years of hands-on work, reinforced by three formal audio courses. Every project teaches something new.
Q: How would you describe your style?
A: Neither dry nor over-processed. I aim for a balance — a song that sounds polished and full without losing its natural character. I listen to a lot of genres, and it shows in my work.
Q: Which artist would you like to work with and why?
A: Peter Gabriel — his sonority, his ideas, his talent. I'm also a big admirer of my teacher Will Geraldo, a genius and a very kind person.
Q: Can you share one music production tip?
A: Try to find answers yourself first. There's a lot to learn, but what you discover on your own is what you truly internalize.
Q: What do you bring to a song?
A: An emotional curve and solutions for technical problems. I take your vision seriously and align it with my technical process, so both of us are happy with the result.
Q: Tell us about your studio setup.
A: Monitors: Yamaha MSP3A Headphones: OneOdio Studio Pro 30 Interface/mixer: VEDO VDA208L Compressor: Behringer MDX 2600 DAW: FL Studio 26
Q: What other musicians or music production professionals inspire you?
A: Sensitive artists with a strong vision and meaningful messages — the ones who treat a song as something to serve, not to dominate.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My PC with FL Studio 26, Yamaha MSP3A monitors, OneOdio Studio Pro 30 headphones, VEDO VDA208L mixer/interface, and the Behringer MDX 2600 compressor.
Q: What type of music do you usually work on?
A: Eclectic — from Hip Hop and EDM to Pop, Rock and Folk. The genre changes, the process doesn't.
Q: What's your typical work process?
A: First, full analysis of the song. I balance levels in mono, then turn on the stereo field and work on panning. Once levels and panning are solid, I move to EQ and compression — combining my DAW tools with the mixer's EQ and analog compression.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not at the moment.
Q: What's your 'promise' to your clients?
A: Quality. I didn't take three audio courses for nothing — every song gets my full attention, whether it's a first release or an established artist's single.
Q: Analog or digital and why?
A: Analog for the sound — I love what my gear does to the signal. But good plugins can be enough for a great result too; the ear decides, not the logo.
Q: What questions do customers most commonly ask you? What's your answer?
A: Three: deadline, price, and whether I use analog. My answers: typically 2 days, accessible pricing as a business model, and yes — analog compression is part of my chain.
Q: What's your strongest skill?
A: Mixing and mastering
I was the Mixing Engineer in this production
- play_arrowVarious tracks
- Mixing EngineerContact for pricing
- Mastering EngineerContact for pricing
I may work your music files if they're enough about quality, even being mp3/m4a/.wav/.aif/.flac, if they are usable, why not? Revisions: 4.
- Yamaha MSP3A
- OneOdio Studio Pro 30
- Behringer MDX 2600 Pro
