I have 15+ years of experience working in audio. Over the past 4 years I have had the opportunity to vocal produce/record and edit over 600+ songs. Prior to that I was signed to 2101 Records as a staff music producer for 3 years working with major label artists. I also worked in music licensing where I've had songs placed in tv shows/movies.
Tuning Vocals (pitch correction & timing)
- Polished, radio-ready vocals.
- Vocal Comping (assistance with choosing the best vocal takes)
- Vocal Tuning Services (tuning while maintaining a natural sound)
- Vocal recording session (Zoom or in person, availability and day fee varies)
Mixing & Mastering
- Track Mixing (bounced to a 2 track wav file)
- Mixing Vocals
- Vocal Effects
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Michael Wofford
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Composed and mixed music for an entire documentary "They're Trying to Kill Us". It was a huge task but I am honored to be a part of such a meaningful project.
Q: What's your 'promise' to your clients?
A: High quality audio and a fast response time.
Q: What are you working on at the moment?
A: I am currently producing an album for Sony BMG, also vocal productions for Epidemic Sound.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes, Brandon Combs. Excellent session drummer.
Q: Analog or digital and why?
A: I think both. Analog for tone and digital for flexibility and options.
Q: What do you like most about your job?
A: That I get to do music for a living. Gain new relationships.
Q: What's the biggest misconception about what you do?
A: That it's all technical. But there is a huge relationship aspect that I find to be very important.
Q: What questions do you ask prospective clients?
A: Whats in they're current playlist.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, Apollo Twin, Komplete control, Sennheiser HD 650, and Maschine.
Q: What was your career path? How long have you been doing this?
A: In 2013 I was signed as a staff producer to 2101 Records/Sony ATV for 3 years. Shortly after in 2017 I began working as a vocal producer/A&R for Epidemic Sound which I still do now.
Q: How would you describe your style?
A: Always serving the song. Punchy, attitude, and clarity.
Q: Can you share one music production tip?
A: Know how to navigate your personal sound library quickly. This keeps creativity flowing by accurately finding sounds that are a perfect match for the song.
Q: What type of music do you usually work on?
A: A variety of pop, r&b, and hip hop.
Q: What's your strongest skill?
A: Paying attention to details while not loosing sight of the big picture.
Q: What do you bring to a song?
A: Solid kick/bass and overall clarity and depth.
Q: What's your typical work process?
A: Identify the most dominant elements in the song and give them power and consistency, while giving supporting elements detail and clarity.
Q: What other musicians or music production professionals inspire you?
A: Quincy Jones, J dilla, Kiefer, Anderson Paak, Dmile, Darkchild, Mndsgn, D'Angelo, Kaytranada, Raphael Saadiq.
Q: Describe the most common type of work you do for your clients.
A: It could be anything from producing, vocal production, mix, and mastering.
- Vocal TuningContact for pricing
- Vocal compingContact for pricing
- Mixing EngineerContact for pricing
- Mastering EngineerAverage price - $80 per song
- ProducerContact for pricing
- Apollo x8p
- Townsend Sphere L22 Mic
- Chandler Tg2 Preamp
- SSL Fusion
- Bettermaker C502V
- Wes Audio Promethius
- Yamaha hs8 and Avanton monitors.
