Vocal-forward hip-hop, trap, R&B and pop mixes and production. My credited discography spans 245 releases with 391M+ combined lifetime streams.
I'm YAGZ, a producer and mixing/mastering engineer. I work with artists who have a strong idea but need the record to feel finished: the vocal should connect, the low end should hit, and the production should serve the song.
For mixing, I focus on vocal clarity, depth, low-end control and the small decisions that make a chorus lift. I can handle vocal cleanup, tuning and creative effects when they fit the track. For production, I build original beats and arrangements around your demo, references and voice, from a simple idea through to a complete song.
My credited discography includes 245 releases with 391M+ combined lifetime streams (Muso, September 2026). Those are collaborative credits; ask me about my exact role on any sample.
Send me your rough mix or demo, the number of stems, one or two references, your deadline and what feels unfinished. I'll listen first, agree on the scope and tell you plainly what your song needs.
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with YAGZ
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mavi – Yağmur began with the artist’s chord idea and chorus vocal. I developed that starting point into the full song production and arrangement. It is a good example of turning a personal demo into a finished record without losing the original idea.
Q: What's your 'promise' to your clients?
A: I will listen carefully, be clear about what is included, and tell you honestly if a recording needs fixing before a mix can do its best work. You will know the plan before we start.
Q: What questions do you ask prospective clients?
A: Can I hear the rough mix and one or two references? How many stems are there? What feels unfinished to you? What is the release deadline, and which files do you need at delivery?
Q: Can you share one music production tip?
A: Before adding another sound, mute the parts that are already there. If the hook gets stronger with fewer elements, the song needed space rather than another layer.
Q: What type of music do you usually work on?
A: Hip-hop, trap, R&B and pop, especially records built around a strong vocal and contemporary low end.
Q: What's your strongest skill?
A: Finding the balance between vocal emotion and impact. The technical decisions matter, but the result should still sound like the artist.
Q: What do you bring to a song?
A: A vocal that feels present without fighting the beat, low end that translates, and small arrangement or effect choices that make the hook land. I try to preserve the character of the demo while removing what holds it back.
Q: What's your typical work process?
A: I listen to the rough mix and references first, then ask what the artist wants the listener to feel. Once the files and scope are clear, I build a first pass, send it for focused notes, and make revisions against the agreed direction.
Q: Describe the most common type of work you do for your clients.
A: I mix vocal-led hip-hop, trap and R&B songs, often with vocal cleanup, tuning and creative effects. I also build original production around rough demos when an artist has the song idea but not the finished arrangement.
I was the mixing and mastering engineer in this production
- play_arrowMavi – MSG ft. Yung Ouzo | Before / After Mix
- Mixing EngineerAverage price - $200 per song
- ProducerAverage price - $400 per song
- Mastering EngineerAverage price - $100 per song
Mixes include 2 revision rounds and usually take 3–5 business days after complete files arrive. Production timelines are quoted per project. New stems or major changes need a new quote.
- Studio One
- FL Studio
