SEtU, is an Electronic Music Producer and a Mix Engineer. Holds a Bachelors in Electronic Music composition & Audio Engineering from Berklee College of Music, Boston, USA.
"A GOOD MIX IS WHAT TRANSFORMS INTO A GOOD MASTER".
I am here to provide you with the best sonic solution, suited to your recording or production needs. How do I achieve this? Well, I mainly work "in the box", in my go to DAW (Logic Pro x). Plugins I mostly use, comprise of an emulation of their analog counterparts. My main focus revolves around colouring (or reverse engineering) the audio files (as required). Post this, I then start addressing individual sounds with precise EQ and Dynamic Shaping techniques.
Last but not the least, I am a big believer that Pan Pots and Faders (gain) tend to make the most difference in mixing a track efficiently.
Tell me about your project and how I can help, through the 'Contact' button above.
2 Reviews
Endorse SEtU
Having collaborated on many film scoring projects, I can recommend Buddhabells for your Mixing & Production needs. Super fun to work with!
https://www.imdb.com/name/nm6108596/
Has an articulate mixing procedure for your music, as well as quick with any production based corrections as needed. Recommended!
Interview with SEtU
Q: What's the biggest misconception about what you do?
A: Not many or should I say any misconceptions luckily
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook Pro, ADAM Audio Studio Pro SP-5, Akai MPK Mini, Zoom H4n Pro, Apogee duet 2.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: A Rap/Hip Hop duo called GentleTwist , features me as producer/mixer on the track we're looking to push out on a reputed label.
Q: Analog or digital and why?
A: In the age of Hardware emulation and having access to tons of great hardware devices (which also turns out less expensive), has opened its way to an efficient usage of the software or the digital protocol, if you will. In my opinion, neither of the two compete directly, but it's more of a demand or correct implementation in a given situation.
Q: Tell us about your studio setup.
A: MacBook Pro, Logic Pro X, Yamaha HS 7's, Audio-Technica ATH-R70 X, M Audio, Line 6, 3rd party (includes waves, Fab Filter, Izotope, Native Instruments, Fracture etc.)
Q: Can you share one music production tip?
A: Try and capture the right sound at source, it'll make a huge impact on your mixes.
Q: What do you like most about your job?
A: It's creative and fresh every single time.
Q: What questions do you ask prospective clients?
A: I try not to ask too many. It's mainly that, if I feel there's something I can add to whatever they bring to the table, I would try to immerse myself, and do it justice.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Let's hear your ideas or else your production before we figure how to work things out.
Q: What type of music do you usually work on?
A: Electronic, Jazz, Hip Hop/Rnb, Pop and Country.
Q: What's your strongest skill?
A: Record Production.
Q: What do you bring to a song?
A: Sonic Stability.
Q: What other musicians or music production professionals inspire you?
A: Ott, Shpongle, Doja Cat, Kendrick Lamar, Ennio Morricone, Hanz Zimmer and many more.
Q: Describe the most common type of work you do for your clients.
A: Audio Mixing and Music Production.
Q: What was your career path? How long have you been doing this?
A: About 6 years now, this is after graduating with a degree in Audio & Music Production from the famous Berklee College of Music.
Q: How would you describe your style?
A: Electronic/Experimental/Not Avantgarde!!
Q: Which artist would you like to work with and why?
A: Well talking of the really famous ones, Kendrick Lamar would top my list.
Q: What's your typical work process?
A: For Mixing : It's hearing the strongest part of a production, really try and get it right. And the rest comes in slowly with the progress.
- Mixing EngineerContact for pricing
- Mastering EngineerContact for pricing
Turn Around Time for Mixing might go between a day to 3 days (again , depending mainly on the project). All attempted works come with 3 revisions. Third Time is a charm ;-)
- Yamaha HS 7's
- Line 6
- ATH-AD 900x
- Native Instruments
- Logic Pro X
- Fab Filter
- Waves & Izotope
