Clint Funkoneti Falconer

Groove bassist deluxe

Clint Funkoneti Falconer on SoundBetter

I help create groove and interest in your song by using low frequencies aka I'm a bassist.

I am a full-time bassist based in South Africa. I have a background in jazz studies at TUT (Tshwane University of Technology), I also studied under acclaimed jazz bassist Carlo Mombelli. After my studies, I joined South African blues legend, Dan Patlansky. I toured and recorded with Dan for about ten years, in that time a recorded bass on all of his albums. I also had the privilege of performing with some of South Africa's top artists including SA Idols winner Elvis blue, Grammy-nominated Vusi Mahlasela to name just two. I have also run projects of my own including The TerraZAR and my solo project under Clint Falconer where I try a few more abstract ideas out.

I love writing a good bassline that helps to add to the groove as well as adding some interest to the song overall. I love to try different approaches to writing my basslines including the use of effects to create different textures to help bring your song to life. I feel confident that I can add something to your music whether it's a pop song or some experimental electronic track. Feel free to message me and chat about ideas for your song.

Contact me through the green button above and let's get to work.

Interview with Clint Funkoneti Falconer

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I was truly lucky to be a part of Dan Patlanskys's band at a time of a lot of change. Dan went from being an incredible blues player to an incredible player who wrote great songs and doing very well in Europe and I am just grateful I was a part of that growth for many years and to see the inner workings of what facilitated that.

  3. Q: What are you working on at the moment?

  4. A: I am still in a pretty hard lockdown here in SA so options are limited. I have started my YouTube channel which is a lot of fun, I give online lessons, practice songs for the multitude of tributes I am in and I'm writing another solo album (more experimental ideas).

  5. Q: Analog or digital and why?

  6. A: I am not hard to either side, it's a case-by-case question. My OC-2 is a dream because it's an old analog pedal and creates a great sound/ texture but then my clockwork v3 is an incredible digital delay pedal that has some truly incredible sounds on. I try to embrace the best of both.

  7. Q: What's your 'promise' to your clients?

  8. A: I promise to be sensitive to the music but at the same time try adding a little bit of magic.

  9. Q: What do you like most about your job?

  10. A: I love being creative, finding interesting ways of adding to people's vision.

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: Why must I pay a bassist to do something they can do themselves? It is true you can get basic basslines down with very little difficulty but what I do is bring all my years of experience to bear to create basslines that help the music blossom, I know where to add an extra hook or where to drop out. The very nuanced job of a bassist is often severely underrepresented and is an entirely different skillset on its own.

  13. Q: What's the biggest misconception about what you do?

  14. A: Playing bass is easy and you don't need to hire a specialist.

  15. Q: What questions do you ask prospective clients?

  16. A: I just as what vibe they looking for, how would they like me to approach the bass playing.

  17. Q: What advice do you have for a customer looking to hire a provider like you?

  18. A: Feel free to run any idea you have and we see if we can get exactly what you are looking for.

  19. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  20. A: 1 Fender Jazz Bass 2 Microtubes X7 3 Clockwork v3 by GFI 4 Mark Bass amp 5 Boss oc-2

  21. Q: What was your career path? How long have you been doing this?

  22. A: My career path is ever evolving from being a full-time bassist in a band on the rise to getting involved with tons of tribute shows and now getting into doing remote sessions more and more. I have been a full-time musician for 11 years now.

  23. Q: How would you describe your style?

  24. A: I am a coffee-powered funk machine.

  25. Q: Which artist would you like to work with and why?

  26. A: I am the biggest Mars Volta fan out there so I would have to say Omar Rodriguez Lopez because I love his creativity.

  27. Q: Can you share one music production tip?

  28. A: I try to add a little bit of distortion, almost unnoticeable in the mix, to my bass to help it sit better.

  29. Q: What type of music do you usually work on?

  30. A: I mostly work with the music of a more rock persuasion.

  31. Q: What's your strongest skill?

  32. A: Knowing the appropriate thing to do/ play in any situation.

  33. Q: What do you bring to a song?

  34. A: I like to think I bring a lot to any song I record, first is a good bass tone. I strongly believe in getting a good tone straight from my side before anything is done to the bass sound and I feel that gives the engineer working on the song an easier job with getting the bass to sit in the mix. Also, I have a fair amount of experience working with different genres and musicians and I draw on all of that while working on your song. One of the biggest things I bring is a lack of ego, if you want the bass to just sit in the background of the music and fulfill that job I am more than happy to do and I do not need my basslines to be the center of attention. Feel is one of a bassist's best tools and I try put of much of it into each song as I can.

  35. Q: What's your typical work process?

  36. A: I normally download the song I am working on and ask the client what they looking for in their song. Then I let the song play in the background while I see if anything pops out at me. I like to send a rough idea of where my head is at to check if the client is happy with how I am approaching the song. I really don't like to rush, I want to get the song to a place where I can feel proud of the work I have done and the client is happy as well.

  37. Q: Tell us about your studio setup.

  38. A: I have a simple setup. My mac is running Logic, I have a Behringer U-Phoria UMC204HD soundcard. When recording bass I normally use two lines my Little Mark Rocker 500 and a line from my pedalboard, At the end of my board, I have a Microtubes X7 preamp, and between these to I feel I get a good bass sound.

  39. Q: What other musicians or music production professionals inspire you?

  40. A: I am inspired by a whole host of musicians but if I had to pick one it would probably be Pino Palladino just because of the variety of music he has been able to be a part of, John Meyer to NIN within a few years is incredible.

  41. Q: Describe the most common type of work you do for your clients.

  42. A: I do a lot of live gigs. At the moment a high percentage of that is work in tribute bands.


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Gear Highlights
  • Fender P bass
  • Darkglass Microtubes X7
  • Boss OC-2
  • Custom built Fremen Fuzz by Craig Amps
More Photos