I take your sounds in whatever stage and will get the best out of them.
I've been doing Sound ever since being at a concert of a band I was in and the sound-guy didn't show up. From that point on 16 years back I was hooked in this stuff.
These years of Mixing and Mastering, starting live and then learning the Studio-ways, working with artists from pretty much every genre imaginable, put me in a position to create the Sound you want to get the reactions you want to evoke.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Zer0m0rph
Q: What are you working on at the moment?
A: Enhancing my portfolio. Worked on some stuff but getting permissions is a job in itself.
Q: What's your 'promise' to your clients?
A: Whether you want it to mosh the crap out of folks or want to make them cry: I'll get it done.
Q: What do you like most about your job?
A: There are SO many creative people out there with visions and I love realizing that.
Q: What's the biggest misconception about what you do?
A: "It's just pushing some buttons"
Q: What questions do you ask prospective clients?
A: What inspired your Sound? Which parts of that Sound are your focal points? What do you want to evoke with your songs?
Q: What was your career path? How long have you been doing this?
A: Sixteen years. I was in a band and at one Gig, the soundguy didn't show up and I picked it up the most quickly xD. That got me started in more of a live-environment at which I have around a thousand Shows under my belt from Stage-Musicals over Jazz Festivals to Prog-Rock Shows played on Techno PAs....and then got into studio-Mixing, Mastering.
Q: Which artist would you like to work with and why?
A: LLNN because they bring a Sounddesign with them that is so clinical and cold, I'd love to get my hands on that.
Q: Can you share one music production tip?
A: The gear you have at hand is the best gear. If you know what you're doing, you'd ne amazed with what you can achieve.
Q: What type of music do you usually work on?
A: Rock and Metal mostly, but also a lot of Singer/Songwriter, Jazz and acoustic stuff.
Q: What do you bring to a song?
A: I always strive to find the little nooks and crannies in a song. The general sound is important but so are all the little things that your listeners' ears can latch on to. The kind of music you Listen to at two a.m. lying in bed in a dark room with headphones on that give you goosebumps.
Q: Tell us about your studio setup.
A: The only constant is my mixing-pc. Everything else is completely dependant on the project and its requirements.
Q: What other musicians or music production professionals inspire you?
A: - Kristian Kohle for all things Metal. This dude is so incredibly good. - Marc Daniel Nelson - Andrew Scheps In Terms of a more musical as well as technical: - David Husser. Did live-engineering for Alcèst amongst others and did an amazing job ob his Project C R O W N's new album.
Q: Describe the most common type of work you do for your clients.
A: - Mixing (in many ways. Sometimes I get already fixed stems, other times I get pure guitar DI-tracks that I re-amp) - Mastering - Audio CleanUp for field-recordings - Mixing of Live-Performances for releases as Live-records - Mixing Sound for podcasts
