I am a Mastering & Mixing Engineer (Aran Lavi, Simon Vinestock, Shalom Hanoch, Eden Kedar) Audio is my passion, I'm a huge music fan, and I enjoy helping artists turn their vision into reality.
According to my humble opinion, the best way to attain a master that you love is to explain your vision clearly, as you see it, in your own words.
A full mix/production review and coaching is included with every master.
Most of the problems can't be fixed during mastering, so they are best addressed in the mixing/production stage when you have complete control of the sound.
Let's talk about your project - click the Contact button to reach me.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
2 ReviewsEndorse Yoad Ben Nun
Patient, skilled, and inspiring. All of our expectations were met or exceeded. Timely delivery and response. Communication was clear, and precise. Our end product is 10X times what we thought it was going to be! Very happy customers that will come back!
Awesome mixer! Great at taking feedback to get the exact sound you desire.
Superb quality, highly recommend!
Interview with Yoad Ben Nun
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Simon Vinestock, Aran Lavi, Noam Levinberg
Q: Analog or digital and why?
A: These are both tools and they both have their pros and cons; the difference is in the workflow for me.
Q: What's your 'promise' to your clients?
A: I'll do everything I can to help you get where you want to go, but you need to know where that is for yourself first.
Q: What do you like most about your job?
A: It makes me feel fulfilled when artists hear the end result and are filled with the emotion they intended to convey.
Q: What's the biggest misconception about what you do?
A: Mixing or mastering can fix a bad song or a bad recording. Look, it's an accumulative process and you can't build a house on a weak foundation.
Q: What questions do you ask prospective clients?
A: What is your desired sound? Who are you trying to sound like? What do you want your master to be like? dynamic? loud? brickwalled? warm? scooped? punchy? conservative? “go to town?” analog? organic? clarity? muddy? How many people will this reach? How many people will hear this?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Ask questions and make sure your vision is clear.
Q: Can you share one music production tip?
A: IT'S ALL IN THE ARRANGEMENT, THERE IS NO VOODOO HERE!
Q: What do you bring to a song?
A: In order to make the end result the best fit for the production, I put 100% of my effort into it, along with the necessary technical skills to make that happen. Every time I mix/master a song, I strive to bring out the artist’s passion and intention, making it stand out loudly from the speakers.
Q: What's your typical work process?
A: I always start with a conversation with the artist to understand their vision. After that, I listen to the material I receive and assess what needs to be done. I aim to enhance the intention of the artist so that it suits the song and production.
Q: What other musicians or music production professionals inspire you?
A: Inspiration comes to me when I hear a unique touch or a musical boldness, I'm looking for the art and the emotional impact.
Q: Describe the most common type of work you do for your clients.
A: Mastering ,Mixing, Editing ,Recording.
Q: What's your strongest skill?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Mac, Audio Interface, Headphones, a small Auratone like speaker and MIDI controller/Control surface.
Q: What type of music do you usually work on?
A: I like to work with the music that gets me emotional, so it varies greatly, from Metal to Bluegrass to Pop and Trance.