Remote Mixing & Mastering,

Q: Analog or digital and why?

A: I like a combination of both, the recall on digital is so quick but the way analog smoothes out the top end so it is clear but not harsh is almost impossible in the digital realm however UAD is doing a great job of creating emulations that are getting close

Q: What do you like most about your job?

A: Seeing the artist hear their song finally how they had envisioned it is the best reward for me

Q: What was your career path? How long have you been doing this?

A: I am been in the entertainment industry for over 15 years and in 2014 received my first Grammy nomination for engineering work on William McDowell "Withholding Nothing (Live)"

Q: What's your typical work process?

A: Typically I will receive an mp3 from the artist inquiring about mixing services to review, so i can guide them through the steps needed to take the song where they want it to go.

Q: Tell us about your studio setup.

A: My Studio setup consists of a Mac Pro running Pro Tools 10 ad 12 a UAD Apollo, Genelec 1032 speakers on the backend. On the front end I run a couple Vintech x73 and Universal Audio 1176LN.

Q: What other musicians or music production professionals inspire you?

A: I am always inspired by the greats like Chris Lord-Alge and Tony Maserati.

Q: Describe the most common type of work you do for your clients.

A: I mostly edit, tune and mix for the artists the come to me however some may already have great mixes and then i offer mastering services

Q: What's your strongest skill?

A: My quick turnaround because of my ability to mix quickly and decisively.

Q: What do you bring to a song?

A: My goal is to understand the artists vision for the song and through the mixing process make it come alive and move the listener.