Since learning from first-class engineers and producers and participating in countless major label projects, I'm always looking for fantastic songs to work on. My mixes have landed on a few major playlists and some have surpassed 350k plays, whereas my work as a Melodyne editor is sought after by world-class engineers.
Having cut my musical teeth in France, it was clear that London was the place I could best develop my production and engineering skills. I got my Music Production degree and very quickly after, the opportunity to work at The Pierce Rooms as an assistant engineer, where I got to play small parts in major records.
Since then, I've worked on mixing projects for the Rock'n'Roll Hall of Fame, Rolling Stone Awards, major labels and indie artists all together. I primarily work on pop, rock, metal, indie and singer-songwriter genres. I'm lucky and grateful to be doing this for a living, and always on the lookout for excellent music to give it what it needs.
I'm looking forward to working on your next project!
Jules
Send me a note through the contact button above.
Credits
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Jules is my go to mixing engineer! The communication is always great and he understands completely what I am after in terms of the whole sonic outcome of a project. He's quick at finishing mixes and always responds promptly when contacting him.
Jules is a fantastic addition to any production team, always going above and beyond. He's a consumate professional; bringing knowledge, advanced production skills and vast experience to any project. Needless to say, Jules is my go-to production expert and remains a consistent presence in all my projects.
Jules is 100% a mixing engineer I recommend to my friends. With each release Jules is part of, I am impressed by the level of detail in the mix and always enjoy listening to his work.
Interview with Jules Gulon
Q: What other musicians or music production professionals inspire you?
A: Butch Vig will always have a place in my heart for his legendary work in the 90s. But other fantastic people worth mentioning are Eric Valentine, Rich Costey, Adam Noble, Tom Dalgety, Jake Sinclair and Andrew Scheps. Each of them have different styles and specific fortes, but the work they put into a song is incredible every time. Oh my god.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A computer, a UA Apollo, Focal monitors, a VCA mixbus compressor and tape emulators.
Q: Can you share one music production tip?
A: Your arrangement skills are as important as your production skills.
Q: What's your strongest skill?
A: If the track allows it, I pride myself in going after punchy sounding drums and pristinely clean vocals.
Q: What do you bring to a song?
A: What it specifically needs.
- Mixing EngineerAverage price - $500 per song
- Vocal TuningContact for pricing
- EditingContact for pricing
- Programmed drumContact for pricing
- Time alignment - QuantizingContact for pricing
- Vocal compingContact for pricing
Up to 3 rounds of revisions / Instrumental, TV Track, A Cappella versions included in the service alongside the final wav mix. / Stem printing available for an additional fee.
- Weezer
- Sam Fender
- Paramore
- Avid Pro Tools
- a bunch of vibey guitar pedals to mix with
- my Kemper Profiler
- an unhealthy habit of buying plugins
- my collection of drum samples
- and my trusty iLok.
