Producer, Mixing, Mastering

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: It is very special for me to work with José de Justo because he is a good lifelong friend as well as being a good underrated artist. We are currently trying to grow his audience, which I have the pleasure of being at the forefront in every way.

Q: What are you working on at the moment?

A: I am currently working on and off with a Spanish modern fusion flamenco artist. In addition, I have also recently started working on my YouTube channel to promote the sale of beats in beatstars.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Since soundbetter is made for and by professionals, I could recommend it to practically anyone as long as it meets the customer's requirements.

Q: Analog or digital and why?

A: Digital with analog simulation, I think that digital can always do a more precise job through algorithms than analog systems.

Q: What's your 'promise' to your clients?

A: I can't promise anything except that I don't stop working until the client is satisfied. For me it is very important since I am not satisfied with working in vain, I think it makes no sense to make a song at the request of a client and that he does not like it or is dissatisfied with the result.

Q: What do you like most about your job?

A: When the work begins, and ends.

Q: What questions do customers most commonly ask you? What's your answer?

A: Autotune or not, and I never recommend it since I prefer natural voice, but each one to his liking. They also often ask me about bugs related to tones

Q: What's the biggest misconception about what you do?

A: attacking too many styles of music, sometimes I think I should focus on fewer styles, it has its pros and cons

Q: What questions do you ask prospective clients?

A: I usually ask what style they want to have in their song based on a genre, and also on an artist that they like, either looking for some similarity or to fit in a market. I also usually ask what kind of instruments do you like etc.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Since music is based on streaming services, studying the fundamental key according to the market well, it is very important when transmitting something in particular in a song

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: full pc, speakers, sound card, headphones

Q: What was your career path? How long have you been doing this?

A: I've been dealing with music for more than 10 years, I started producing electronic music like breakbeat or drum & bass and also some hip-hop oldschool lo-fi funk. Later on, I started working on reggaeton afrobeat beats and some similar but somewhat experimental styles, to start working on reggeaton fusions with certain artists such as flamenco and reggaeton fusions that are so popular in Spain.

Q: How would you describe your style?

A: convoluted, blunt, fat, original, bouncy

Q: Which artist would you like to work with and why?

A: with anyone with whom after a good conversation there is a feeling

Q: Can you share one music production tip?

A: Sometimes, less is more

Q: What type of music do you usually work on?

A: I usually work on styles and fusions related to reggaeton or afrobeat

Q: What's your strongest skill?

A: analysis of the information that the client says they want, a representation of it in the form of a song.

Q: What do you bring to a song?

A: originality or through a good reading and analysis of the information that the client says they want, a representation of it in the form of a song.

Q: What's your typical work process?

A: First, the structure and the fundamental key of the song are studied, then the sounds, synthesizers and percussions are selected to go on to create a circle chords based on the fundamental. Then I try to bounce with a bass accompanying what will end up being the final rhythm. From the final rhythm I begin to design the structure of the verse, introduction and others ... Right after I start with the phase of sound gains, compression, placement of the elements in the speaker and everything related to the mix. Finally, it is mastered, further characterizing the mix and providing an adequate volume for the specific song.

Q: Tell us about your studio setup.

A: Got KRK7 G4, Native Instruments Komplete, Focusrite Scarlett, and FL Studio

Q: What other musicians or music production professionals inspire you?

A: Bouncing bass and bright sounds with a good stereo image

Q: Describe the most common type of work you do for your clients.

A: Normally I produce verbatim what the client tells me that he wants to hear in his song. While that happens I try to guide in the best possible way so that your song is successful in the market that concerns you.