
Mixing and mastering engineer to Method Man's new album "Meth Lab Season 3: The Rehab"
With 30 years of engineering experience, I've specialized in the New York Hip-Hop sound and have had the fortune of working with some of the best rappers in the world.
As the son of a composer, I got into music at the age of five.
I play the flute, bass, guitar, saxophone and piano.
I studied composition in Germany till the age of 18,
started composing and mixing music for commercials in New York at the age of 19.
Clients included McDonald's, GM, Allstate, Toyota, Tide,
a Denali commercial featuring Mos-Def, Fat Joe on a Bacardi commercial and many more.
I worked as a recording and mixing engineer in many New York Studios,
where in Staten Island I ended up working with Method Man and most of the Wu Tang Clan.
Services that I offer (all remote):
• Mixing
• Mastering
• Original, sample free production to fit any song or direction
• Vocal tuning (from the very natural to the "auto-tune" sound)
Contact me through the green button above and let's get to work.
Credits
Discogs verified credits for Pascal Zumaque2 Reviews
Endorse Pascal "P. Version" ZumaquePascal is the real deal. I write and record my own music and I can do a decent job of mixing, but when I want something to sound on par with the stuff you hear on the radio I send the tracks to him and he sends me back something beautiful. Pascal has magic ears and obviously knows his way around a studio. I have other musical artist friends who work with him as well. We all know where to go to get the right sound.
Hello my name is K7
I have worked with P. Version for the over a decade on many songs and projects. has been dependable and helpful in developing what i would consider some of the best work i've done. i have asked him to do just about every style of music i could think of and he always comes thru giving our work just what it needs to be original and unique. he has even done sound engineering at my live events. i trust him to always give me his best and he even motivates me to be a better writer and artist
Interview with Pascal "P. Version" Zumaque
Q: What are you working on at the moment?
A: Starting preliminary work on Method Man's 4th "Meth Lab" album. Finishing another Wu-Tang affiliated project feat Raekwon, Shyheim and others.
Q: Analog or digital and why?
A: I personally use a mix of both. Digital gives me the advantage of speed and flexibility. Analog gives me the warmth, the harmonics and distortion I can't get from digital.
Q: What's your 'promise' to your clients?
A: The work we'll do together will leave you happy
Q: What do you like most about your job?
A: The evolution of the sound throughout the mixing process, the energy that's built in a song and the end result. I love music.
Q: What was your career path? How long have you been doing this?
A: I started the piano at five, got into the flute at 9, guitar at15 and bass around 17. I did my first internship in a professional recording studio at the age of 16. At the age of 19 I was working as a music producer and recording engineer in a studio in Manhattan. Ever since I've been working in different cities on different projects, from commercials to the recording industry.
Q: How would you describe your style?
A: Clean and crispy vocals, heavy bass and punchy drums.
Q: What type of music do you usually work on?
A: Mainly Hip-Hop, R&B, Dancehall, Reggaeton
Q: What do you bring to a song?
A: Over 30 years of production and sound engineering experience, along with my musical knowledge helps bring my clients' vision to fruition.
Q: What's your typical work process?
A: I listen to the song a couple of times to get the intention and the vibe. If there's anything I need to clean up, I usually do that first and then I get into the mix.
Q: What other musicians or music production professionals inspire you?
A: Herbie Hancock, Steve Wonder, Dr. Dre, Prince
Q: Describe the most common type of work you do for your clients.
A: Hip-Hop and R&B mixing and mastering jobs.

I was the Mixing and mastering engineer in this production
- K7 - La Bomba (Tiktok Mix)
- Method Man - Stop Crying
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song
- Vocal TuningAverage price - $100 per track
- ProducerAverage price - $600 per song
Turn-around time for mixes 4-5 days, for vocal tuning 3-4 days, for mastering 2-3 days.
10 free revision with any of my services.
Express jobs are an additional cost of $100