Word class mixing and recording studio, we have worked with a lot of Artists from around the world.
Flowriders Studio is located 10 min drive from the east of Amsterdam.
The control room is based around an SSL 4000 E and has a lot of ( vintage ) outboard
as well as (vintage ) synths, amps and drum computers.The control room has a small booth
connected to it ( 12 m2 ) where you can do overdubs, vocals, drums etc.
The live room is 150 m2 with a drum booth connected to it (65 m2. ).
The reverb of the drum booth can be adjusted with panels.
The Live room features a Steinway D grand piano as well as an Hammond B3.
We still have a good Studer A800 24 track tape recorder for recording to tape.
Besides that there is a very big mic selection with a lot of amazing vintage mics.
Please feel free to contact us if you have any questions.
Send me a note through the contact button above.
Credits
AllMusic verified credits for Vincent Helbers- Jameszoo
- Jameszoo
- Nicole Bus
- José James
- Ntjam Rosie
- Ntjam Rosie
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- Gerd
- J. Moods
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Agnes Gosling
- Brotherly
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ruth Koleva
- Ntjam Rosie
- Ntjam Rosie
- Ntjam Rosie
- Ntjam Rosie
Interview with Flowriders Sudio
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I'm proud of all the projects I work on.
Q: What are you working on at the moment?
A: Airto, The Rise, Ntjam Rosie, Gerd, LYMA, Richard Spaven, Seravince
Q: Analog or digital and why?
A: Both, anything that gets a good result, often hybrid works really well.
Q: What's your 'promise' to your clients?
A: That they leave with a very good result.
Q: What do you like most about your job?
A: Getting a great result.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you get me this or that sound, yes I can..
Q: What's the biggest misconception about what you do?
A: That I make a vintage sound only...
Q: What questions do you ask prospective clients?
A: A lot, what music they like, how they record, what times they work, what there budget is, what expectations they have, why music they are inspired by, etc
Q: What advice do you have for a customer looking to hire a provider like you?
A: Come by the studio to get information.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: sm 57, SPL transient designer, MPC 3000, neve 1073, neumann U47
Q: What was your career path? How long have you been doing this?
A: I started as a musician, still playing and performing, 15 years of recording and mixing now.
Q: What do you bring to a song?
A: Signature sound.
Q: What's your typical work process?
A: I don 't think I have a typical process, every client is different and needs a different approach.
Q: Tell us about your studio setup.
A: A studio based Around an SSL 4000 with lots of outboard , vintage and modern equipment.
Q: What other musicians or music production professionals inspire you?
A: James Blake, Bob Power, Beyonce,
Q: Describe the most common type of work you do for your clients.
A: Recording and mixing for Artists and in that process also help them with the pre production
- Mixing EngineerAverage price - $450 per song
- Recording StudioAverage price - $600 per day
- ProducerAverage price - $400 per song
- Mastering EngineerAverage price - $80 per song
- Songwriter - MusicContact for pricing
- Beat MakerAverage price - $400 per song
- Keyboards - SynthAverage price - $70 per song
- SSL 4000
- Neumann U47
- Soundelux 251
- Tubetech Cl1b
- WSW compressor
- teleufunken V676 pre amps
