
Music producer and mixing engineer specialising in electronic, indie and cinematic music. With over a decade of production experience, I offer music production, recording and mixing, audio editing, working closely with artists to create music that feels authentic, polished and emotionally engaging.
I'm a music producer and mixing engineer based in Melbourne, Australia, specialising in electronic, indie and cinematic music. I've been producing music since 2012 and enjoy helping artists turn ideas into polished, engaging records that stay true to their creative vision.
Whether you're starting with a rough demo or putting the finishing touches on a release, I aim to make the process collaborative, enjoyable and focused on bringing out the best in your music. I believe great productions come from understanding the emotion behind a song, not just the technical side of mixing.
Services
• Music Production
• Mixing
• Recording
• Audio Editing
As both a producer and artist, I understand the journey from concept to completion and the importance of working with someone who communicates clearly and genuinely cares about the final result.
I've worked across original artist releases, film projects and collaborative productions, with experience spanning electronic, indie and cinematic music. Every project receives the same care, attention to detail and commitment to delivering the best possible outcome.
If you're looking for a collaborative producer and mixing engineer who values communication and creating music that feels authentic, I'd love to hear about your project.
Send me a note through the contact button above.
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Interview with Stephen O'Sullivan
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One project I'm particularly proud of is my single All We Have Is Now. I handled the production, recording and mixing, aiming to create a warm, atmospheric sound inspired by electronic, indie and cinematic influences. It represents the style of music I love creating and reflects years of refining my craft.
Q: What are you working on at the moment?
A: I'm continuing to develop my own artist project while collaborating on productions, mixing projects and music for film. I'm also expanding my recording and engineering experience.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not at this stage. I'm still getting to know the SoundBetter community and look forward to connecting with other talented professionals.
Q: Analog or digital and why?
A: Analog is just wonderful
Q: What's your 'promise' to your clients?
A: To treat every project with care, communicate openly, and deliver work that serves your music rather than my ego. Your vision always comes first.
Q: What do you like most about your job?
A: Seeing a song transform from a rough concept into something an artist is proud to release is incredibly rewarding.
Q: What questions do customers most commonly ask you? What's your answer?
A: How much input is required? I say as much as possible: references, references, references
Q: What's the biggest misconception about what you do?
A: That production and mixing are just technical processes. The best results come from making musical decisions that support the emotion and intent of the song.
Q: What questions do you ask prospective clients?
A: I like to understand your vision, influences, references, goals for the track and where you feel it currently needs the most help.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Choose someone whose work resonates with you and who communicates well. Great results come from collaboration, trust and a shared creative vision.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, Audio Interface, Beyerdynamic headphones, apple earphones, H4N Zoom Recorder
Q: What was your career path? How long have you been doing this?
A: Music Music and Music. I have been at music since I was about 13. I started producing at 20 in 2012.
Q: How would you describe your style?
A: Atmospheric, melodic electronic music with organic textures and cinematic influences.
Q: Which artist would you like to work with and why?
A: Massive Attack. I think they're geniuses and evoke so much emotion and thought into everything they do
Q: Can you share one music production tip?
A: Use a sampler more. You get such unique results and randomness
Q: What type of music do you usually work on?
A: Electronic, Cinematic/Orchestral
Q: What's your strongest skill?
A: My strongest skill is combining a musician's mindset with technical production. I focus on understanding the song first, then making production and mixing decisions that enhance the music rather than distract from it.
Q: What do you bring to a song?
A: I bring a musical perspective alongside technical skills, focusing on emotion, arrangement and creating space for every element to serve the song rather than overcomplicating the production.
Q: What's your typical work process?
A: Every project starts with understanding your vision. From there, I focus on clear communication, regular updates and collaborative feedback to ensure the final result reflects your goals while sounding its best
Q: Tell us about your studio setup.
A: I work in the box
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by producers who create atmosphere and emotion through sound. Artists like Moby, Four Tet, Massive Attack, Brian Eno and Brian Wilson have all influenced how I think about production, arrangement and storytelling.
Q: Describe the most common type of work you do for your clients.
A: I primarily work with artists on mixing, and producing

I was the Producer, Mix & Mastering Engineer in this production
- Mixing EngineerContact for pricing
- ProducerContact for pricing
- Dialogue EditingContact for pricing
- EditingContact for pricing
- Keyboards - SynthContact for pricing
Delivery times vary based on project scope and availability. Revisions are included within reason, and I'm committed to making sure you're happy with the final result.
- Moby
- Barry Can't Swim
- Four Tet



