Brad Hill Mastering

Remote Mastering

Brad Hill Mastering on SoundBetter

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Mastering is easy to get wrong in a world of DIY productions and ever changing loudness standards on streaming services such as Spotify. One of the reasons I got into mastering as a producer and engineer myself was the lacklustre affordable options out there, many of which are shoved in your face constantly these days.

I worked with one prominent figure who’s master added nasty distortion to my track, and they seemingly either didn’t hear it or couldn’t be bothered to fix it when I pointed it out.

Plus there is no shortage of robots that master your music in a lifeless way while adding bizarre artifacts that you can’t prevent.

I like to approach mastering as a way to add some extra character, polish, and loudness to a track without adding anything nasty like distortion or artifacts from over limited and clipped tracks. I actually barely touch a limiter and get as much loudness as possible without using one to kill the punch of your track.

But enough of me yammering, get a sample and hear for yourself what I would do for your track.

*The free sample will be watermarked & will be available to purchase in full quality for a reduced price

*Obviously the quality of what I can do will be affected by any problems in your mix. I can try and work around issues, and can let you know what you might what to do to fix them, but I cannot undo them completely in mastering.

Send me a note through the contact button above.

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Space & Time by Julio.

I was the Mastering Engineer in this production

GenresSounds Like
  • Halsey
  • The 1975
  • blackbear
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