George Marsh on SoundBetter

Professional mixing & mastering for artists on a budget.

Here at Marsh Music, we provide a professional and industry-standard audio mixing service for independent bands and artists. Based in a studio in London, UK, our service promises exceptional standards of work completed to our client's exact needs. We pride ourselves on our Vast collection of plug-ins, amplifiers, studio gear and hardware from the likes of UAD, Focusrite, Acustica, Adam Audio, Brainworx, Softube, and many more.

Being a multi-instrumentalist and touring session musician myself, you can trust that our process will result in your music sounding exactly how you imagined no matter

Tell me about your project and how I can help, through the 'Contact' button above.

Credits

5 Reviews

Endorse George Marsh

by Max Chinnock
George Marsh is one of the best in the business. Professional mixes at a great price. Very easy to work with. I would highly recommend to anyone looking for a top quality mix!
by Nat
Fantastic mix and master of a project I was very protective of - thank you George for being so patient! Am absolutely thrilled with the sound, it’s mega!
by Pat
Fab! Amazing sounding mix from a true professional :)
by David M.
Fantastic Client to work with. Professional and knowledgeable of his craft. Mix was exactly how I pictured and I definitely recommend his services
by Lee Avant Studios
George is the ultimate professional. Sound was perfect and he was a pleasure to work with. Would reccomend to all artists looking for a quality mix!!

Interview with George Marsh

Q: Tell us about your studio setup.
A: M1 Mac Mini running Logic/Ableton. All-in-one studio recording rack featuring Focusrite Clarett pres, XLR patch bays and headphone amps. Adam Audio A7x's are my monitors of choice. Also own a 1964 Fender precision bass for session work and a Teenage Engineering OP-1 just for fun!
Q: What are you working on at the moment?
A: Currently working as an engineer at Masterlink Productions. Lots of amazing projects come in and out
Q: Analog or digital and why?
A: Hybrid for me. The goal for my future career is to mainly be in the box but to also use certain outboard gear for that classic sound eg: tape or analogue compression.
Q: What's your 'promise' to your clients?
A: Classic, analogue sounding mixes for a competitive price.
Q: What do you like most about your job?
A: Listening to the final result with the client when the mix is exactly what they'd imagined. The best feeling ever!
Q: What questions do customers most commonly ask you? What's your answer?
A: - How many mix revisions?: as many as needed to make it the way it should be - Can you make it sound like "x": Yes, but what's YOUR sound?
Q: What's the biggest misconception about what you do?
A: That it's very complicated and mathematical. if it's a great song and a great recording, my job is very simple.
Q: What questions do you ask prospective clients?
A: - who are you as an artist? - why should I listen to your music - If your music could be the soundtrack to any movie scene, what would it be?
Q: What advice do you have for a customer looking to hire a provider like you?
A: It's important, although it's professional, to always have fun and try and enjoy the process and the result of our hard work.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Definitely my all in one recording rack, my laptop, hard drive, my fender precision and a shure SM57
Q: What was your career path? How long have you been doing this?
A: I've been mixing professionally for about 3 years after taking Music Technology at college
Q: How would you describe your style?
A: Minimal and tasteful
Q: Which artist would you like to work with and why?
A: I'd love to work with Theo Katzman (or any member of Vulfpeck really). They're really nailing it.
Q: Can you share one music production tip?
A: Less is more!
Q: What type of music do you usually work on?
A: Usually classic rock, soul and folk, but I can easily move to more modern RnB/Pop
Q: What's your strongest skill?
A: My musical ear that comes from my background as a session musician and band member, which affects how I listen to a record.
Q: What do you bring to a song?
A: I'm not one for overcompressing/EQ. People usually book me for my taste more than how much I can 'fix' a recording. If it's a great song, then all you need is a little salt and pepper.
Q: What's your typical work process?
A: First, I talk to the client to determine the sound they want. Then I start mixing pretty randomly if I'm honest, starting with whatever I feel needs work and make slight adjustments to levels, panning, EQ and compression as needed. Colouration and sonic character is also applied for that classic analogue sound.
Q: What other musicians or music production professionals inspire you?
A: Musicians: Jeff Buckley, John Lennon, Marvin Gaye, Daft Punk, Pino Palladino, Steely Dan. Producers/Engineers: Bob Clearmountain, Mark Ronson, George Martin, Shawn Everett
Q: Describe the most common type of work you do for your clients.
A: Usually single or album mixes in the box.

Mix and Master Example

I was the Producer, Mix Engineer & Mastering Engineer in this production

Mixing EngineerAverage price - $150 per song
Mastering EngineerAverage price - $50 per song

revision free of charge. typical turnaround time 2-3 business days. Refunds available if requirements not met. Mastering is available at a discount after a mix is provided.