George Marsh on SoundBetter

Professional mixing & mastering for artists on a budget.

Here at Marsh Music, we provide a professional and industry-standard audio mixing service for independent bands and artists. Based in a studio in London, UK, our service promises exceptional standards of work completed to our client's exact needs. We pride ourselves on our Vast collection of plug-ins, amplifiers, studio gear and hardware from the likes of UAD, Focusrite, Acustica, Adam Audio, Brainworx, Softube, and many more.

Being a multi-instrumentalist and touring session musician myself, you can trust that our process will result in your music sounding exactly how you imagined no matter

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Credits

5 Reviews

Endorse George Marsh

by Max Chinnock
George Marsh is one of the best in the business. Professional mixes at a great price. Very easy to work with. I would highly recommend to anyone looking for a top quality mix!
by Nat
Fantastic mix and master of a project I was very protective of - thank you George for being so patient! Am absolutely thrilled with the sound, it’s mega!
by Pat
Fab! Amazing sounding mix from a true professional :)
by David M.
Fantastic Client to work with. Professional and knowledgeable of his craft. Mix was exactly how I pictured and I definitely recommend his services
by Lee Avant Studios
George is the ultimate professional. Sound was perfect and he was a pleasure to work with. Would reccomend to all artists looking for a quality mix!!

Interview with George Marsh

Q: Tell us about your studio setup.
A: M1 Mac Mini running Logic/Ableton. All-in-one studio recording rack featuring Focusrite Clarett pres, XLR patch bays and headphone amps. Adam Audio A7x's are my monitors of choice. Also own a 1964 Fender precision bass for session work and a Teenage Engineering OP-1 just for fun!
Q: What are you working on at the moment?
A: Currently working as an engineer at Masterlink Productions. Lots of amazing projects come in and out
Q: Analog or digital and why?
A: Hybrid for me. The goal for my future career is to mainly be in the box but to also use certain outboard gear for that classic sound eg: tape or analogue compression.
Q: What's your 'promise' to your clients?
A: Classic, analogue sounding mixes for a competitive price.
Q: What do you like most about your job?
A: Listening to the final result with the client when the mix is exactly what they'd imagined. The best feeling ever!
Q: What questions do customers most commonly ask you? What's your answer?
A: - How many mix revisions?: as many as needed to make it the way it should be - Can you make it sound like "x": Yes, but what's YOUR sound?
Q: What's the biggest misconception about what you do?
A: That it's very complicated and mathematical. if it's a great song and a great recording, my job is very simple.
Q: What questions do you ask prospective clients?
A: - who are you as an artist? - why should I listen to your music - If your music could be the soundtrack to any movie scene, what would it be?
Q: What advice do you have for a customer looking to hire a provider like you?
A: It's important, although it's professional, to always have fun and try and enjoy the process and the result of our hard work.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Definitely my all in one recording rack, my laptop, hard drive, my fender precision and a shure SM57
Q: What was your career path? How long have you been doing this?
A: I've been mixing professionally for about 3 years after taking Music Technology at college
Q: How would you describe your style?
A: Minimal and tasteful
Q: Which artist would you like to work with and why?
A: I'd love to work with Theo Katzman (or any member of Vulfpeck really). They're really nailing it.
Q: Can you share one music production tip?
A: Less is more!
Q: What type of music do you usually work on?
A: Usually classic rock, soul and folk, but I can easily move to more modern RnB/Pop
Q: What's your strongest skill?
A: My musical ear that comes from my background as a session musician and band member, which affects how I listen to a record.
Q: What do you bring to a song?
A: I'm not one for overcompressing/EQ. People usually book me for my taste more than how much I can 'fix' a recording. If it's a great song, then all you need is a little salt and pepper.
Q: What's your typical work process?
A: First, I talk to the client to determine the sound they want. Then I start mixing pretty randomly if I'm honest, starting with whatever I feel needs work and make slight adjustments to levels, panning, EQ and compression as needed. Colouration and sonic character is also applied for that classic analogue sound.
Q: What other musicians or music production professionals inspire you?
A: Musicians: Jeff Buckley, John Lennon, Marvin Gaye, Daft Punk, Pino Palladino, Steely Dan. Producers/Engineers: Bob Clearmountain, Mark Ronson, George Martin, Shawn Everett
Q: Describe the most common type of work you do for your clients.
A: Usually single or album mixes in the box.

Mix and Master Example

I was the Producer, Mix Engineer & Mastering Engineer in this production

Mixing EngineerAverage price - $150 per song
Mastering EngineerAverage price - $50 per song

revision free of charge. typical turnaround time 2-3 business days. Refunds available if requirements not met. Mastering is available at a discount after a mix is provided.