I'm a pixel manipulator in top form. I have access to a studio with dancers + a motion capture suit. Augmented reality is my personal jam. putting animated things into video seamlessly.
currently lipping out spotify canvases like hotcakes.
Contact me through the green button above and let's get to work.
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Interview with Cowboy Steeze
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
Q: What are you working on at the moment?
A: an animation.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
Q: Analog or digital and why?
A: for visuals? analog. but we in a digital age and I only mess with digital all my work is displayed digitally.
Q: What do you like most about your job?
A: the colors honestly.
Q: What questions do customers most commonly ask you? What's your answer?
A: 25$ a second.
Q: What's the biggest misconception about what you do?
A: that I can't do it all.
Q: What questions do you ask prospective clients?
A: what colors they like. meanings in their songs. any ideas they put out towards me i'll probably ask more questions based on their ideas.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Send me the song, tell me if you have anything specific as far as ideas you want. show me your aesthetic if you want me to do something that matches it.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: laptop, some sorta korg synth, camera, guitar and audio interface. hopefully this includes all the chords I need and an outlet lol.
Q: What was your career path? How long have you been doing this?
A: I started with physical art for a long time. sold my art on hat bills for a company called moon men creations for a while too. one day a friend of mine gave me a copy of C4D. now here I am.
Q: How would you describe your style?
A: Nature mashed into a computer then rearranged so that the pixels pop
Q: Which artist would you like to work with and why?
A: I'd like to work with Doja Cat because she fucks hard.
Q: What type of music do you usually work on?
A: I like it all but particularly I like this new age meshing of genres going on. a bit of funk electronic and indie to hip-hop.
Q: What's your strongest skill?
A: augmented reality creations.
Q: What do you bring to a song?
A: My work is very aesthetic. I can make something that matches the feel of your music. You won't ever see anything like my style either. I offer uniqueness, elegance and feel.
Q: What's your typical work process?
A: listen to the song to get ideas percolating. then i fuck.
Q: Tell us about your studio setup.
A: It's just me and my custom built computer. i'm always upgrading stuff. it's mostly in the software. after effects, xparticles, cinema 4d, marvelous designer and octane. I recently picked up a motion capture suit. so. hello characters that dance to your song? I also have a camera that shoots in 4k. this is really nice for getting textures for my animations and all sorts of things.
Q: What other musicians or music production professionals inspire you?
A: Ian hubert is a big one. anime animators so many of them have brought me so much joy that i'd like to pass on. recently the work done on Mandolorian I found to be very inspiring.
Q: Describe the most common type of work you do for your clients.
A: Animations for music videos, spotify canvases or album artwork.