Vocals | Songwriter | Producer

Q: What are you working on at the moment?

A: I'm currently working on a repeats clients ad campaign. They'd like me to produce music for a cappella arrangement I helped them with a few weeks ago.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I know Samuel Oyedele. We went to Full Sail together and both have a degree in Music Production. He's very good at what he does, and we still work together often till this day.

Q: What questions do customers most commonly ask you? What's your answer?

A: Potential customers often ask for where they can listen to some of my most recent work? I usually send them over to my Soundcloud or Website portfolio. I keep those pretty updated.

Q: What type of music do you usually work on?

A: You'll usually find me creating something along the line of Pop-Funk, Afro-Jazz, Indie, Soul, and R&B

Q: Analog or digital and why?

A: Yes. Cause one can't replace the other, and I need them both.

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I recently worked on a campaign song for FIFA World Cup, that will be taking place in Qatar in the year 2022. I was the Primary Music Producer on the project, and I got to work with really talented musicians. It was exhilarating

Q: What's your 'promise' to your clients?

A: I won't send you off with a project you are unhappy with.

Q: What do you like most about your job?

A: I like the very art of creating music that otherwise wouldn't exist if I didn't create it.

Q: What's the biggest misconception about what you do?

A: People tend to raise an eyebrow when they see a female producer. There's a misconception that it's best we leave the production to the guys and stick with singing. It's why I take a lot of pride in showcasing my work as a music producer, and playing my part in changing the status quo.

Q: What questions do you ask prospective clients?

A: I ask what the vision for the project is, or if they have a reference product that'll help me understand their vision better?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Don't judge a book by it's cover, and listen to more than one song in a portfolio.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My laptop, sound card, a mic, headphones, and a solar battery to keep them running.

Q: What was your career path? How long have you been doing this?

A: I have a degree in Music Production from Full Sail University. My story is pretty boring. Iv'e only done, and wanted to do one thing since I can remember, and that's producing music.

Q: How would you describe your style?

A: Very organic. I love real instruments, and a lot of space and headroom in my mix. However, since the beginning of 2020, iv'e been drowning in the love pop Pop Funk. But I still keep it very organic. Just with a few extra builds, synths, and present kicks.

Q: Which artist would you like to work with and why?

A: I'd love to work with Jon Bellion. That guy messes with my head in the best ways. I would love to observe his creative process, and how his ideas come to life in real time.

Q: Can you share one music production tip?

A: Listen to a variety of music.

Q: What's your strongest skill?

A: Vocal and music arrangements. Dynamics is the heart of what keeps people listening to a song. And I love using that skill to bring my clients ideas to the next level.

Q: What other musicians or music production professionals inspire you?

A: I'm inspired by Kid Harpoon, Quincy Jones, Michael Jackson, Jon Bellion, Asa, Cobhams Asuquo, Brook Fraser, Teniola Apata, Beyonce Knowles, Bubele Booi, Daft Punk, Pharrell Williams, Enya and so much more.

Q: What do you bring to a song?

A: Experience. Now with that said, no matter how familiar I am with a particular type of sound, I will ALWAYS ask or go searching for references. There is always something new to learn in the world of songs and music.

Q: What's your typical work process?

A: First thing I always do, is have a sit down consultation with the client. It's important that I get the vision before I hit the ground running. Once that's done, I get to work, and depending on the client i'm working with, I would usually give updates that require feedback along the way. Once a project has been submitted, my client has the option to request a set amount of revisions for a set period of time.

Q: Tell us about your studio setup.

A: I have a designated studio office (acoustically treaded,) for my productions. My primary DAW is Logic Pro X, and I use the Apollo twin quad as my primary hardware interface. I have a number both physical and digital amps, guitars, and and even more robust digital bank of live instruments as well as synthesizers. I use Melodyne, Waves, and FabFilter family, as well as many other plugins for production, mixing, and mastering. My current go to studio mic is the popular Aston Spirit Large-diagram Condenser mic. However, it's not the only one that I use. Let me know if you have any questions on what I use in my studio, and i'll be happy to answer.

Q: Describe the most common type of work you do for your clients.

A: I mostly help finish ongoing work for clients. Most people come with unfinished ideas that they need help completing. I mostly get requests to proofread lyrics, and melodies, all the way to creating ready to release Masters from demos.

Q: Describe the most common type of work you do for your clients.

A: I mostly help finish ongoing work for clients. Most people come with unfinished ideas that they need help completing. I mostly get requests to proofread lyrics, and melodies, all the way to creating ready to release Masters from demos.