Hi, I'm Rocket! I am a Nashville, TN based musician and engineer. I want to help you sound amazing! I play drums, bass, keys, and sing background vocals. I tune vocals in addition to editing and mixing audio. Outside of the studio, I've played drums all over America in clubs, arenas, stadiums and more. I bring all of this experience into the studio
I will record a pro-quality drum track for your song. I have a home studio equipped with vintage drums and quality audio gear. My goal is to create a drum track that perfectly serves and elevates you and your song.
Audio gear:
-2 Universal Audio Apollo 8ps
-Universal Audio Twin
-Microphones from Roswell Audio, sE Electronics, AKG, Stager, Hendyamps, and more.
Drum gear:
-60s Ludwig
-70s Ludwig
-70s Ludwig Vistalite
-80s Ludwig
-80s Gretsch
-Phil Collins-esque concert tom kit
-Various wood and metal snare drums
-A wide variety of Paiste cymbals.
Genres that I'm well suited for: Pop, Country, Rock, Funk, Worship, and more.
Listen to some of my previous work here:
https://open.spotify.com/playlist/4ILNFTX3oSrR9npJaWMhUZ?si=99adb18e64884352
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
AllMusic verified credits for Aaron Rochotte- Elvie Shane
- Tucker Beathard
- Tucker Beathard
- Elvie Shane
- Tucker Beathard
- The Head and the Heart
- Big & Rich
- Elvie Shane
- Elvie Shane
- Elvie Shane
- Tucker Beathard
- Tucker Beathard
- Tucker Beathard
- Tucker Beathard
- Tucker Beathard
- Tucker Beathard
- Elvie Shane
- Shy Carter
- Shy Carter
- Tucker Beathard
Languages
- English
1 Reviews
Endorse Aaron RocketI have worked with Aaron from Rocket Productions many times over the years both on stage and in the studios here around Nashville. Aaron is a timely, intuitive player, backing vocalist and producer. I find him very easy to play bass with in live settings and extremely easy to work with in the studio!
Interview with Aaron Rocket
Q: Analog or digital and why?
A: Digital, but with an analog mindset. With my Universal Audio Apollos, I love that I can quickly switch back and forth between Neve or API preamps, a Studer tape machine in seconds. And the recall is simple. Just as easily, I can commit eq, compression and effects on the audio into Pro Tools. It's such an efficient workflow.
Q: What's your 'promise' to your clients?
A: To deliver professional results.
Q: What do you like most about your job?
A: The flexibility and creative freedom.
Q: What questions do you ask prospective clients?
A: What feeling are you trying to convey in your music? What artists and/or songs have inspired your project?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A Macbook Pro, a Universal Audio Apollo 8p, an sE Electronics drum mic pack, my 70s Ludwig kit with Paiste cymbals, and my original Shure SM7.
Q: What was your career path? How long have you been doing this?
A: I've been playing drums and piano from a young age. I moved to Nashville in 2011 and studied audio engineering. Ever since, I've been working in the studio and performing live.
Q: Which artist would you like to work with and why?
A: Michael McDonald. He's one of the greatest male vocalists, and I love his songs. It would be a dream to play with him in any capacity.
Q: Can you share one music production tip?
A: Remember the big picture: it's about the song and the singer.
Q: What type of music do you usually work on?
A: Country, rock, pop, R&B and worship.
Q: What's your strongest skill?
A: Drumming and audio engineering.
Q: What do you bring to a song?
A: Aside from musical proficiency, I try to humbly play what I think is appropriate for the song. I want my playing to be confident, but ultimately I want the client to be the one that's shining. I'm quite experienced as an audio engineer as well, so I guarantee that my tracks will be professional and polished.
Q: What's your typical work process?
A: Before I add anything to a song, I like to listen to it several times to get it into my soul and be a part of the same vision the artist is going for. At that point, I record a couple takes until I feel happy with my own performance. I then do any needed editing or cleanup, then send a rough mix to the client for feedback. Once the client is happy, I send them the files.
Q: Tell us about your studio setup.
A: I mostly work out of my home studio, fitted with several drum kits, a Fender bass, many percussion and programming sounds. I record through Universal Audio Apollos.
Q: What other musicians or music production professionals inspire you?
A: Toto, Steely Dan, Phil Collins, Michael Mcdonald, Led Zeppelin, Van Halen, Kansas, Yes, Queen, Tom Petty & The Heartbreakers, Earth, Wind & Fire, Brooks & Dunn, Dawes, Eagles, Genesis, Huey Lewis & The News, James Taylor, The Jimi Hendrix Experience, Daft Punk, Rush, System of a Down, Vulfpeck, Keith Urban, Chris McHugh, Shannon Forrest, John Mayer, Steve Jordan, Nathan East, Leland Sklar, Steve Gadd, Chad Smith,
Q: Describe the most common type of work you do for your clients.
A: Drums and percussion, bass, keys, background vocals, track editing, vocal tuning, and mixing.
I was the drummer in this production
- Live drum trackAverage price - $25 per song
- PercussionAverage price - $25 per song
- Singer - MaleAverage price - $25 per song
- Vocal TuningAverage price - $10 per track
- Time alignment - QuantizingAverage price - $10 per track
- Mixing EngineerAverage price - $50 per song
- Keyboards - SynthAverage price - $25 per song
I typically allow up to 2 revisions free of charge, and I work quickly. My products are usually delivered to the client within 48 hours.
- Paiste Cymbals
- Universal Audio Apollos
- 70s Ludwig 3-ply drums
- 80s Ludwig 6-ply drums
- Ludwig Vistalite drums
- Ludwig Supraphonic snare
- Tama brass snare.