Electronic music producer @infinne. Previously worked as Magnace, amassing millions of streams and making an official remix for The Chainsmokers. Specialized in turning a good songs into great ones.
It's extremely important to me to maintain consistent communication with my clients. I won't disappear for days on end and I'll make sure to keep you updated frequently.
Equally, it's important for me to have the client's feedback and direction from the very beginning so that the final song is exactly what the client envisioned from the start.
Tell me about your project and how I can help, through the 'Contact' button above.
1 Reviews
Endorse InfinneInterview with Infinne
Q: What's your 'promise' to your clients?
A: My promise to you: I will make your song sound great, and I will work until you are satisfied.
Q: What do you like most about your job?
A: I love taking a good song, and making it great. I love the reaction I get from my clients when I send them my version of their songs. Nothing beats it.
Q: How would you describe your style?
A: My production style tends to lean towards the more electronic side of things. That's not to say I can't make instrument based music, but electronic is the music area that I visit the most.
Q: What do you bring to a song?
A: I can bring your ideas to life. I can bring energy to your mix, life to the arrangement, and a professional sounding product to the table.
Q: What's your typical work process?
A: For production: We either start from scratch (I make a beat and you write to it), or, what many of my clients do, and what I prefer to do, is they will write a demo (either to piano/guitar or even a Youtube beat they found), they'll send me a voice memo, and I'll build the song around their idea. Some of the best songs I've made have stemmed from voice memos. Usually, my clients will send me 2-3 references songs so I can can get an idea of how they want their song to sound. We'll toss ideas back and forth and I will produce the song to completion and do revisions until the client is 100% satisfied. For mixing/mastering: The client sends me the stems (all tracks rendered as separate files–e.g. kick.wav, lead vox.wav, claps.wav, etc). Then, I mix them and send it back for any feedback/revisions. Then I continue with revisions until the client is satisfied.
Q: Tell us about your studio setup.
A: I have two Focal Alpha 65 speakers ran through an Apollo Twin Universal Audio interface with UAD original plugins (including Auto-Tune). I use Logic Pro X. I have a Rode NT1 mic, a Arturia Keystep and a Oxygen49 midi controller, a TeleSquire electric guitar, a Yamaha piano, a Native Instruments Maschine, a Roland VT-4 Vocoder & Voice Transformer. Also I have a Teenage Engineering OP-1 synth, which is my favourite member of my studio.
Q: Describe the most common type of work you do for your clients.
A: I mostly do productions, which include mixing and mastering. However, I have quite a few clients who only need mixing and mastering.
I was the writer, producer and mix/master engineer in this production
- ProducerAverage price - $150 per song
- Beat MakerAverage price - $150 per song
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $50 per song
- RemixingAverage price - $150 per song
- Keyboards - SynthAverage price - $50 per song
- Sound DesignAverage price - $100 per minute
- The Chainsmokers
- Skrillex
- Louis The Child
- Universal Audio Interface
- Rode NT1 mic
- Auto-Tune
- Maschine
- Teenage Engineering OP-1
- Focal Alpha 65 Speakers