"We are committed to a single thing a perfect record"
Founded in 2014, The Grid Europe aims to produce, record, mix and master the project of its customers to give them the opportunity to rank among the professional levels of the industry. Combining the ease and familiar ambiance of a home studio while still having the luxury of an incredible recording and mixing room, The Grid Europe offers the best environment to bring your production to its maximum potential. Also there are all the facilities present for a band to stay over after a long day of recording. Being musicians ourselves, creating the best mixes and production is our most important concern. This is the reason why we provide the best high-end gear on the modern market to ensure a massive, punchy and wide production.
Full portfolio at www.thegrideurope.com
I'm Jonathan started studying piano when I was 7 years old and at 15 I start playing electric guitar. My career as a musician start in 2007 when I release my first album with my band Bleed Someone Dry and in 2009, I decided to start my business as a sound engineer and I founded The Grid Europe. Thanks to The Grid Europe,I started building a network of relationships with musicians and bands around Europe. I worked with bands such as Despised Icon, The Agonist, Shadow Of Intent, Beneath The Massacre, Ingested just to name a few.
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Credits
Discogs verified credits for Jonathan Mazzeo- Agharti
- Mechanical God Creation
- Right To The Void
- Right To The Void
- Passion For Sorrow
- Atropas
- Tearless
- Ashes To Ashes (5)
- Right To The Void
- After Evolution
- Karl Marx Was A Broker
- Neuromantik (2)
- Go!Zilla
- Passion For Sorrow
- Jamie-Lee Smit
- Atropas
- Tearless
- Ashes To Ashes (5)
- Exploding Head Syndrome
- Fankàz
- Flashback Of Anger
- Final Coil
- After Evolution
- Karl Marx Was A Broker
- Go!Zilla
- Agharti
- Right To The Void
- Flashback Of Anger
- Right To The Void
- Atropas
- Tearless
- Sickening
- Ashes To Ashes (5)
- Right To The Void
- Flashback Of Anger
- Atræ Bilis
- First Fragment
- After Evolution
- Get The Shot
- Vltimas
Interview with Jonathan Mazzeo
Q: Analog or digital and why?
A: Mainly digital because it's much easier to recall a session but I also use the analog gear if I'm looking for a specific sound.
Q: What's your 'promise' to your clients?
A: Make them happy and proud of their records.
Q: What do you like most about your job?
A: Mixing is what I love the most.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't be close minded and always try to get out of your comfort zone.
Q: What was your career path? How long have you been doing this?
A: I started studying piano when I was 7 years old and at 15 I start playing electric guitar. My career as a musician starts in 2007 when I release my first album with my band Bleed Someone Dry and in 2009, I decided to start my business as a sound engineer and I founded The Grid Europe.
Q: How would you describe your style?
A: Punchy, modern and crispy.
Q: Which artist would you like to work with and why?
A: Everyone with strong music attitude, passion and talent.
Q: Can you share one music production tip?
A: Keep it simple and stupid.
Q: What type of music do you usually work on?
A: Usually I work with metal, rock and punk bands but I'm open minded to all the modern genres too.
Q: What's your strongest skill?
A: Communication.
Q: What do you bring to a song?
A: Mainly what the artists is asking me to do but my main goal is always to help them found their own music identity.
Q: Tell us about your studio setup.
A: MIXER&CONSOLE – Allen&Heath GSR24M – Digidesign Control|24 – TEAC Tascam Series 85-16 MONITORS – Yamaha HS80 + Sub – KRK VXT8 HEADPHONES – Beyerdynamic DT770M (x2) – Beyerdynamic DT770 Pro AD/DA – Ferrofish A32 Dante – Apogee Symphony I/O MKI – Lynx Aurora 16 (x2) – RME Fireface 800 – Motu 8 Pre – Focusrite Liquid Saffire 56 PREAMP – API Lunchbox 6 Units (x2) – API 512c (x6) – CAPI VP28 (x2) – Avalon U5 (x2) – TL Audio Ebony A1 – SM Pro Audio EP84 – Tech21 Sansamp OUBOARDS – TC Electronix Finalizer Plus – DBX 160A – FMR Audio RNC1773 (x2) – Elysia Xpressor – MLS Buss Compressor (API Custom) – SSL XLogic X-Rack REAMP – Radial X-Amp (x2) – Palmer Daccapo MICROPHONES Audix: – D6 – D4 – D2 (x2) – i5 (x2) Shure: – SM57 (x5) – Beta57A (x2) – SM58 – Beta52 – SM7B AKG: – C4000B – D112 (x2) – D40 (x6) – C430 (x6) – C414 B-TLII – D125 Sennheiser: – MD421 II – MD 421-N Electrovoice: – RE27 – RE11 – ND308A (x2) Audio Technica: – AT-40 Matched Pair Beyerdynamic: – Opus53 T-Bone: – RB100 (x2) M-Audio: – Solaris DAW – Pro Tools 2020 – Logic Studio 9 – Propellerhead Reason 5 DRUMS – Yamaha 9000 Custom “Steve Gadd” – Premiere Artist Custom – Rogers Powertone – Ludwig Classic Maple Fab – Tama Rockstar – Slingerland Vintage Set – Tama Iron Cobra Single Snares: – Mapex Black Panther Steel 14 x 5.5 – Pearl Steve Ferrone 14 x 6.5 – Pearl Master Custom 14 x 5.5 – Ludwig Supraphonic 14 x 5 – Roger Powertone 14 x 5 – Dunnet Titanium 14 x 6.5 – Pearl Super Gripper Maple 14 x 8 – Custom Brass 14 x 5 Cymbals: – Ufip Bionic Crash 13″ – Ufip Bionic Crash 15″ – Ufip Bionic Crash 17″ – Ufip Bionic Crash 19″ – Ufip Bionic Ride 20″ – Ufip Bionic HiHat 14″ – Ufip Bionic Bell 8″ – Ufip Bionic Splash 10″ – Ufip Bionic Splash 12″ TRIGGERS – Roland KD9 Drum Pad – DDrum Pro Triggers – Alesis Kick Drum Pad GUITARS&BASSES – Gibson SG Standard – Gibson Custom – Gibson Les Paul Zack Wylde – Ibanez Iron Label Fanned Frets – Warwick Corvette AMPS – Kemper Profiler – Mesa-Boogie Dual Rectifier – Orange Rockverb 100 – Brunetti 059II – Brunetti XL R-Evo – Engl Powerball – Marshall JCM800 – Marshall JCM900 – Marshall JTM MKII – Ampeg SVT-CL – Ampeg SVT-4 Pro – Traynor Mono Block B CABS – Mesa-Boogie Oversize 4 x 12 – Marshall JCM900 4 x 12 – Marshall 1960 4 x 12 – Hope Custom 2 x 12 (x2) – Hope Custom 4 x 12 (x2) – Hope Custom 2 x 15 – Ampeg SVT810AV – Palmer PDI-03 Speaker Simulator KEYBOARDS – Roland JP8000 – Nord Lead A1 – M-Audio Master Keyboard 49 – Rodhes MarkI
Q: Describe the most common type of work you do for your clients.
A: I'm specialized in recording and mixing bands but I can also help them from the very beginning of the songwriting. Nowadays it's not only having a great sounding album that will make you noticed but also great songs that will emotion the listeners.
I was the Composer, Recording, Mixing in this production
- Recording StudioAverage price - $600 per day
- Mixing EngineerAverage price - $350 per song
- Mastering EngineerAverage price - $50 per song
- Programmed drumAverage price - $100 per song
- Time alignment - QuantizingAverage price - $75 per track
- EditingAverage price - $75 per track
- Vocal TuningAverage price - $75 per track
50% Deposit
Mixing services include unlimited revisions on a 90-day period.
Mixing prices do NOT include vocal tuning, editing or programming.
Please contact for bundle deals and add info.
- Shadow of Intent
- The Agonist
- Gojira
- Allen&Heath GSR24M. TEAC Tascam Series 85-16. Yamaha HS80 + Sub. KRK VXT8. Ferrofish A32 Dante. API 512c. CAPI VP28. Avalon U5. DBX 160A. FMR Audio RNC1773. Elysia Xpressor.
10% discount for EP and 20% discount for LP.
