Jean-Stéphane Garbe on SoundBetter

salut tout le monde studio is the expert solution to all your sound and musical needs. We keep creativity alive through collaborations within the film, fashion and music industries.

Subconscious is our matter.
We find the right sound.
The sound which tells us something.
Music which reminds us of a scene, a character.
A friend, holidays.
A First Kiss.
Then, we find the place for silence to breathe.
Life affects our perceptions.
We collect these times.
There are sounds from the past,
Some are from the future.
We challenge and a

Contact me through the green button above and let's get to work.

Credits

Discogs verified credits for Jean-Stéphane Garbe

Czarnekci
Golin (2)
Czarnekci
Terence Fixmer
Golin (2)
Fixmer / McCarthy

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Interview with Jean-Stéphane Garbe

Q: Analog or digital and why?
A: I don't care, my only concern is what's on the tape or hard drive.
Q: What questions do you ask prospective clients?
A: Because I'm working a lot with projects coming from home-studio...Do you think we can push things further, or do you really like it like that?
Q: How would you describe your style?
A: Keep it simple and organic.
Q: What type of music do you usually work on?
A: Electronic, Hip-Hop, Pop, Rock.
Q: What's your strongest skill?
A: Creative: usually I make many proposals, even the strangest ones because I'm in love with just a sound of the song, or I think it's too complex.
Q: What do you bring to a song?
A: I really dream about giving life to the sound. It's sometimes tricky when working on electronic and urban / hip-hop projects, because it's mostly played with synthetizers. I think to old records: Elvis Presley, Led Zeppelin. Giving life to autotune and leaving some rough things where I can are my everyday challenge.
Q: Analog or digital and why?
A: I don't care, my only concern is what's on the tape or hard drive.
Q: What questions do you ask prospective clients?
A: Because I'm working a lot with projects coming from home-studio...Do you think we can push things further, or do you really like it like that?
Q: How would you describe your style?
A: Keep it simple and organic.
Q: What type of music do you usually work on?
A: Electronic, Hip-Hop, Pop, Rock.
Q: What's your strongest skill?
A: Creative: usually I make many proposals, even the strangest ones because I'm in love with just a sound of the song, or I think it's too complex.
Q: What do you bring to a song?
A: I really dream about giving life to the sound. It's sometimes tricky when working on electronic and urban / hip-hop projects, because it's mostly played with synthetizers. I think to old records: Elvis Presley, Led Zeppelin. Giving life to autotune and leaving some rough things where I can are my everyday challenge.
Q: What's your typical work process?
A: Working mostly with faders.
Q: Tell us about your studio setup.
A: Working on avid s3 with protools HD. One big vocal booth (10m2) and one live room (80m2). Patchpanel with everything around me at the sweet pot.
Q: What other musicians or music production professionals inspire you?
A: I love music. Every genres, from any decades...but when I'm working, if I'm feeling that I need to think about some leaders to find inspiration, I'll choose Aphex Twin, The Books, Brian Eno, MIA, Kanye West, David Bowie.
Q: Describe the most common type of work you do for your clients.
A: Production, vocals recording and Mix. Mastering when lower budget.
Q: What's your typical work process?
A: Working mostly with faders.
Q: Tell us about your studio setup.
A: Working on avid s3 with protools HD. One big vocal booth (10m2) and one live room (80m2). Patchpanel with everything around me at the sweet pot.
Q: What other musicians or music production professionals inspire you?
A: I love music. Every genres, from any decades...but when I'm working, if I'm feeling that I need to think about some leaders to find inspiration, I'll choose Aphex Twin, The Books, Brian Eno, MIA, Kanye West, David Bowie.
Q: Describe the most common type of work you do for your clients.
A: Production, vocals recording and Mix. Mastering when lower budget.