Digitaldruglord

Remote Mixing+Mastering

Digitaldruglord on SoundBetter

I provide a "complete" service for independent artist, meaning mastering as an entry service and mixing + mastering combined as an extended service. I do not offer mixing without mastering.

I bring a fresh pair of ears to a song, a "listener's" ear. What would captivate me on the first listen of a song is what I work to deliver.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Interview with Digitaldruglord

  1. Q: Describe the most common type of work you do for your clients.

  2. A: I provide a "complete" service for independent artist, meaning mastering as an entry service and mixing + mastering combined as an extended service. I do not offer mixing without mastering.

  3. Q: What other musicians or music production professionals inspire you?

  4. A: I am familiar with all genres of music and listen to all new major album releases to stay current with sound trends.

  5. Q: Tell us about your studio setup.

  6. A: Raven MTX | Pro Tools 12.5 HDX w I/O 8X8X8 | Universal Audio - all plugins with Apollo 8 + 4 Octo and 1 Quad Sat | Waves Mercury | Waves NX | SSL Duende | Harrison Mixbus32c | Soundtoys | Izotope | Lexicon PCM | Softube Console 1 - SSL 9000 - British Class A | Senn HD650 - HD800 - HDVD800 | Antelope Pure2 | Yamaha HS7

  7. Q: What's your typical work process?

  8. A: I will listen to an existing mix of a song and determine a feel for the song and then establish a strategy to get it to its full sonic potential.

  9. Q: What do you bring to a song?

  10. A: I bring a fresh pair of ears to a song, a "listener's" ear. What would captivate me on the first listen of a song is what I work to deliver.

  11. Q: What's your strongest skill?

  12. A: My strongest skill is diversity in music styles and the ability to get your head moving to the music.

  13. Q: What type of music do you usually work on?

  14. A: All styles

  15. Q: Can you share one music production tip?

  16. A: Once your head starts to move and you feel the music naturally, your song is done. Don't over do it from this point or you will lose the magic. Always work within what comes natural, never to what comes technical.

  17. Q: Which artist would you like to work with and why?

  18. A: Anyone that is independent, because I feel there is a ton of great music in the world, it just lack a major sound.

  19. Q: How would you describe your style?

  20. A: I have a diverse style that compliment what I feel is best for the song. Music is art and it should sound as such.

  21. Q: What was your career path? How long have you been doing this?

  22. A: I was trained 15 years ago by a 7 time grammy award winning engineer.

  23. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  24. A: 1) Macbook Pro, 2) Apollo 8, 3) Console 1, 4) HD650, 5) MPC Touch

  25. Q: What advice do you have for a customer looking to hire a provider like you?

  26. A: I should be considered a trusted part of your production. Listen to my examples to get an understanding on what my capabilities are.

  27. Q: What questions do you ask prospective clients?

  28. A: I don't ask questions because the client is always right. I do require to listen to a draft of a song to determine if I could be of any help.

  29. Q: What's the biggest misconception about what you do?

  30. A: The biggest misconception about pro audio these days is a plugin can compensate for good decision making. Plugins are only a tool by which good pro audio decisions can be made.

  31. Q: What questions do customers most commonly ask you? What's your answer?

  32. A: Q: "How can I get it louder" A: "Let me do it for you"

  33. Q: What do you like most about your job?

  34. A: I love hearing a song be transformed by the mixing/mastering process.

  35. Q: What's your 'promise' to your clients?

  36. A: My promise to clients is to provide a unique quality to everything I work on.

  37. Q: Analog or digital and why?

  38. A: I am a digital guy, because I believe it offers the best sound quality and an array of analog emulations at the touch of a button.

  39. Q: What are you working on at the moment?

  40. A: I just finished a mixing/mastering album project.

  41. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  42. A: I am proud of every project I work on because each one is unique and delivers a creative vision. When I'm involved in a project, I am all-in, meaning I will do whatever is required to help make the project the best finished product it can be.

Terms Of Service

Up to 2 revisions with every job. Additional revisions at 3> will be $10 additional cost. Turn around time will be provided after an analysis of the existing demo mix is rendered.

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