You produced a great song, maybe even a hit song, but whenever you hear it on your AirPods it just sounds flat... That means you probably need someone to mix and master your record. Hi, I'm fred.
With more than 7 years of experience, multiple releases with major labels all around the world, I can help you getting your song to reach its fullest potential though mix and mastering.
I can help you get your drums to slap, make your vocals shine, while everything else stays crisp and authentic.
Through mixing and mastering I can make sure all the tracks of your record has the right amount of compression, top-end, low-end and that all the levels are set correctly and in sync with the modern day standards.
And once we've reached a great mix, I'll make sure it's ready for all the streaming services through the mastering stage.
I love what I do, and I'm sure I can help you.
Sounds good? Please feel to contact me via the big green button. I'm very easy to work with.
All the best
fred.
Tell me about your project and how I can help, through the 'Contact' button above.
Languages
- Danish
- English
Interview with byfred
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: The first record I made entirely by myself was released by a big artist in Japan. Ended up getting GOLD certified with more than 100.000 physical albums sold (in Japan).
Q: What are you working on at the moment?
A: I'm just wrapping up a K-pop mix for a danish tv-show. Fun stuff.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes. Kasper Kay Larsen is a friend of mine and he's really talented as well.
Q: Analog or digital and why?
A: Analog AND digital. - Digital gets the job done easily and fast, but analog just hit different.
Q: What's your 'promise' to your clients?
A: I promise to do the best I can, always.
Q: What do you like most about your job?
A: That I get to listen to music.
Q: What questions do customers most commonly ask you? What's your answer?
A: How did you do that? - I practiced for many many years.
Q: What's the biggest misconception about what you do?
A: That I only make acoustic and organic stuff haha.
Q: What questions do you ask prospective clients?
A: What is your vision? What do you plan to do with the finished product?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Try and find a "provider" that is pleasent to communicate with, and someone that tries to understand what the customer needs.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1. Acoustic guitar. 2. a microphone. 3. A pair of headphones. 4. Audio interface. 5. My Klanghabitat Cassiopeia tube saturator unit.
Q: What was your career path? How long have you been doing this?
A: I started out as a topliner and producer (more than 7 years ago), the more recent years (the past 4 years) I'm been focusing entirely on producing and mixing.
Q: How would you describe your style?
A: Organic and with feel.
Q: Which artist would you like to work with and why?
A: For some reason Kacey Musgraves came to mind. I love your style and music, and I really enjoy listening to it. D'mile (producer) is also one I'd love to work with.
Q: Can you share one music production tip?
A: Hm... Cliché but the realest thing IMO - If it feels good and sounds good, just roll with it, cause it means that it probably is.
Q: What type of music do you usually work on?
A: Pop, K-pop, Folk, Country, Rnb, Hip hop. All sorts.
Q: What's your strongest skill?
A: Good question... To me the vocals are the most important thing in any song and I think I'm really good with vocals.
Q: What do you bring to a song?
A: As a "multi-instrumentalist" I have a ton of experience recording and mixing acoustic guitars, electric guitars, basses, pianos and so on. These things can be really hard to get right, so if a clients guitar tracks doesn't sound great, I can also re-record.
Q: What's your typical work process?
A: Typically I talk a bit with the client to make sure I understand what they want. After that, I hear their demo and start mixing. I don't have a certain way I always start, but most of the times I like to get the drums set first.
Q: Tell us about your studio setup.
A: I got a pair of Neumann KH310s monitors, a few peaces of analog equipment (preamp, compressors and saturators) as well as a ton of plugins that I've collected through the years.
Q: What other musicians or music production professionals inspire you?
A: Other mix engineers always inspire me. They inspire me to try new things.
Q: Describe the most common type of work you do for your clients.
A: I work mainly with producing, mixing and mastering within the "pop" spectrum.
I was the Producer and mix engineer in this production
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $50 per song
- Singer - MaleAverage price - $250 per song
- Top line writer (vocal melody)Average price - $250 per song
Unlimited revisions.
Typical turn-around time: 2-3 business days.
- PRETTYMUCH
- Justin Timberlake
- Ryan Beatty
- Neumann U87 ai
- Neumann KH310 Monitors
- Apollo x8
- Great River MP Mic pre
- IGS ONE LA Compressor
- Klanghabitat Cassiopeia Tube Saturator (Hardware)
- Elysia Xpressor Neo Compressor
- Shure SM7B
- Fender Stratocaster
- Martin 00-15M
- Fender Jazz Bass.