Gospel /Afrocentric Producer

Q: What's the biggest misconception about what you do?

A: One of the biggest misconceptions about what I do as a producer majoring on gospel and afro-centric music is that it is only for a specific religious or cultural audience. While gospel and afro-centric music is deeply rooted in spiritual and cultural influences, it can also be enjoyed and appreciated by a wide range of listeners. My goal as a producer is to create music that is meaningful and resonates with the audience, regardless of their background. I believe that gospel and afro-centric music has the power to connect people on a deeper level, and I strive to create music that uplifts, inspires, and moves people, regardless of their beliefs or backgrounds.

Q: What questions do you ask prospective clients?

A: When working with prospective clients, I like to ask the following questions to get a better understanding of their vision and goals for the project: What is the overall theme or message of the project? What are the specific elements or sounds that you would like to incorporate into the project? Who are some of your musical influences and inspirations? What is the intended audience for the project? What are the deadline and budget for the project? Are there any specific technical requirements, such as file format or bit depth? What is your process for giving feedback and making revisions? Are there any reference tracks or other examples of the type of sound or production style you are looking for? By asking these questions, I am able to gain a deeper understanding of the client's vision and goals for the project, which helps me to create a production that aligns with their expectations. Additionally, it helps me to understand the client's creative process, and how we can work together to achieve the best results.

Q: What advice do you have for a customer looking to hire a provider like you?

A: As a producer majoring on gospel and afro-centric music, my advice for a customer looking to hire a provider like me would be to be clear about your vision and goals for the project. It is important to have a clear understanding of what you want to achieve with the project, and to communicate this to the producer. Additionally, it would be helpful to provide reference tracks or other examples of the type of sound or production style you are looking for, this will give the producer a better idea of what you are looking for and how they can help you achieve your goals. It's also important to be open to communication and collaboration throughout the production process. A good producer will listen to your ideas and provide feedback and suggestions, but ultimately the final decision should be yours. It's also important to consider the producer's experience and expertise, and to make sure they have a good understanding of the genre and style of music you are looking to create. Lastly, trust your gut feeling, if you have a good feeling about working with a certain producer, go for it! Music production is a collaboration and partnership, and it's important to work with someone you feel comfortable and confident with.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: If I were on a desert island and could take just 5 pieces of gear, they would be: A portable computer: Having a computer would allow me to continue to produce music and record ideas even on a desert island. A high-quality microphone: A microphone would be essential for recording vocals and any other instruments that I might come across on the island. A USB audio interface: An audio interface would allow me to connect my microphone and other instruments to my computer and record high-quality audio. A portable solar-powered charger: A solar-powered charger would ensure that my gear stays powered even if I'm away from a power source for long periods of time. A pair of high-quality headphones: High-quality headphones would allow me to listen to my music and productions in a high-resolution, and to make accurate mixing and mastering decisions. These five pieces of gear would allow me to continue to produce music and record ideas even on a desert island, and it would give me the flexibility and freedom to create music, no matter where I am.

Q: How would you describe your style?

A: As a producer majoring on gospel and afro-centric music, my style can be described as a blend of spirituality and cultural influences. I have a deep understanding of gospel music and its roots in African American culture, which allows me to infuse traditional gospel elements with contemporary sounds to create a fresh and dynamic sound. I like to experiment with different sounds and textures, and I am not afraid to take risks to achieve a truly original sound. My style can be characterized as uplifting, inspiring, and moving, I focus on creating music that connects with the audience on an emotional level.

Q: Which artist would you like to work with and why?

A: As a producer majoring on gospel and afro-centric music, I would love to work with artists like Benjamin Dube, Nathaniel Bassey, and Mercy Masika. They are true pioneers in the gospel and contemporary gospel music in Africa, and have been instrumental in shaping the sound and direction of gospel music. I appreciate their ability to infuse traditional gospel elements with contemporary sounds, and the way they use their music to inspire, uplift, and connect with their audience on a spiritual level. I believe that working with these artists would be an incredible opportunity to learn from their experience, their creativity and their unique approach to gospel music, and it would be a great honor to contribute to their musical legacy. Additionally, I would also like to work with new musicians who also have a strong connection to their spiritual and cultural background and it would be fascinating to bring these elements to their music.

Q: Can you share one music production tip?

A: One music production tip is recording vocals well. Pay close attention to the microphone technique. The microphone is the first link in the chain, and having a good microphone technique can make a big difference in the quality of the vocals. Use a high-quality microphone

Q: What type of music do you usually work on?

A: As a producer majoring on gospel and afro-centric music, I usually work on projects that are within the gospel, R&B, Soul, and African genre. However, I am also versatile and able to work on other genres as well, such as pop, and soundtrack music, that have gospel and afro-centric influences. I am open to working on any project that allows me to infuse traditional gospel elements with contemporary sounds to create a fresh and dynamic sound.

Q: What's your strongest skill?

A: As a producer, my strongest skill is my ability to bring a unique and creative approach to each project. I have a passion for music and am always looking for new and innovative ways to push boundaries and create something truly unique. I bring a fresh perspective to each project and am not afraid to take risks to achieve a truly original sound. Additionally, I have experience working with a wide range of genres and styles, which allows me to bring a diverse range of influences to each project and adapt to different artist's vision.

Q: What do you bring to a song?

A: As a producer, I bring a variety of skills and expertise to a song, including: Production: I have a strong understanding of music production techniques, including instrumentation, sound design, and mixing. I can help create a polished and professional sound that enhances the overall quality of the song. Songwriting: I can help with songwriting, developing melodies and lyrics, and arranging the song to bring out its full potential. Creativity: I have a passion for music and am always looking for new and innovative ways to push boundaries and create something truly unique. I bring a fresh perspective to each project and am not afraid to take risks to achieve a truly original sound. Versatility: I have experience working with a wide range of genres and styles, including gospel and afro-centric music, which allows me to bring a diverse range of influences to each project. Attention to detail: I pay attention to the smallest details in a song, making sure that every element is working together to create a cohesive and polished final product. Communication and collaboration: I am a good listener, and I like to communicate and collaborate with the artist or client throughout the production process to make sure the final product is best aligned with their vision.

Q: What's your typical work process?

A: My typical work process begins with an initial consultation with the artist or client to discuss their vision and goals for the project. Once we have a clear understanding of the project, I will begin by creating a rough demo of the track, incorporating any specific elements or sounds that were discussed during our initial consultation. After the rough demo is complete, I will work closely with the artist or client to fine-tune the production, making any necessary adjustments to ensure that the final product meets their expectations. This process may involve multiple revisions and feedback sessions until the artist or client is completely satisfied with the final product. Throughout the production process, I will also work on songwriting, arranging, and mixing the track to ensure that all elements of the production work together seamlessly. Once the final production is complete, I will master the track and deliver it to the artist or client in the desired format. I am always open to communication, collaboration and feedbacks during the process to make sure the final product is best aligned with the artist or client's vision.

Q: Tell us about your studio setup.

A: -2019 Apple MacBook Pro (16-inch, 16GB RAM, 512GB Storage, 2.6GHz Intel Core i7) -LG UltraWide 29WL50S-B 29" Monitor -Universal Audio Apollo Twin -Audient iD44 -Yamaha HS8 -Behringer Universal Control Surface -M-Audio Hammer 88 -Rode NT1-A -ART SCL2 Compressor -Cort Acoustic guitar

Q: What other musicians or music production professionals inspire you?

A: Music Producers such as Don Jazzy, Masterkraft, Jon Blass, John Jaszcz, Aaron Lindsey,

Q: Describe the most common type of work you do for your clients.

A: I produce music and soundtracks that have an African centered sound including gospel music, afrobeat, traditional African music, etc