Make your music sound like commercial hits with my budget-friendly service. Worked for Sony, Artist First, Sorry Mom!, Kiazza Mob. Currently part of Stoned Saints Records.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
9 ReviewsEndorse Emmanuele Lordi
Servizio di totale affidabilità, tempi veloci e professionalità. Consiglio a chiunque voglia distribuire un lavoro professionale, spendendo meno della media di mercato.
Impegno e professionalità al servizio dei miei brani! Continua così !
Professionalità e qualità.
Ottima esperienza di mastering con il mio disco!
Il suono è pulito e fresco, come dovrebbe essere
L’ho contattato per mixare e masterizzare i miei beat per portarli ad un livello superiore. Detto fatto. Veloce, professionale e gentile, consigliato!
Ho registrato varie tracce in questo studio con un ottimo risultato , qualità , professionalità e una grande attenzione ai dettagli di ogni richiesta.
Ha fornito un servizio veloce e professionale per un brano che dovevamo mixare in poco tempo, mi rivolgerò sicuramente a lui per futuri incarichi.
Servizio professionale veloce ed efficiente
Mix e master Veramente impeccabili
Il prezzo vale tutto il servizio esperienza perfetta
Ottima accoglienza, studio molto attrezzato ed ha soddisfatto ogni mia singola richiesta. Super consigliato!
Interview with Emmanuele Lordi
Q: What are you working on at the moment?
A: Plenty of underground rap records and some indie pop albums.
Q: Analog or digital and why?
A: Digital. Working is twice as fast compared to an analog processing and it’s more reliable and clean. And it’s cheaper. Best bang for buck.
Q: What's your 'promise' to your clients?
A: Your songs will not sound the same anymore!
Q: What do you like most about your job?
A: Client’s satisfaction.
Q: What's the biggest misconception about what you do?
A: That our work is easy. Believe me, it isn’t.
Q: What advice do you have for a customer looking to hire a provider like you?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook Pro, UAD Apollo Twin, Avantone Mix Cubes, Yamaha NS10 and a Rubik’s cube.
Q: What was your career path? How long have you been doing this?
A: I’ve been doing this since five years straight. Initially I worked on my music to make it sound competitive, after I mastered some skills and learned from some professionals I took it to the next level and one year ago I opened my own personal studio. I went to the Conservatory and I had lessons with professionals such as Tommy Bianchi, Gigi Barocco, Dj Telaviv, Icaro Tealdi and Salvatore Addeo.
Q: How would you describe your style?
A: Simple, effective and fast.
Q: Which artist would you like to work with and why?
A: I would like to work with the Griselda roster because when I hear their song I notice that my mind and ears could improve something.
Q: Can you share one music production tip?
A: Listen to music, but not only from nowadays, dig in the past and keep an ear on all the music from the ‘60 and ‘70. The arrangements were at their top.
Q: What type of music do you usually work on?
A: I usually work with Hip-Hop/Rap music and Indie Pop.
Q: What's your strongest skill?
A: My strongest skill is fulfill every request that my clients make.
Q: What do you bring to a song?
A: Warmth, clarity, presence and an absolute balance.
Q: What's your typical work process?
A: First of all, before all the plugins start to come out the cylinder, I do all the surgical cuttings in the vocal clips and the vocal/instrument riding to guarantee a great balance and a natural clarity.
Q: Tell us about your studio setup.
A: My studio setup is based only on ITB work. I do not mess with any type of analog gear because I like the speed and the reliability of technology.