I'm Tony, a certified Pro Tools User with Avid. I've been audio engineering for 10+ years and my editing suite is acoustically treated and my product transfers well to various listening environments. I also write instrumental music for licensing in television, film and artists.
I start with the most obvious sound issues and work my way out until I hear clean clear pristine audio. Artifacts like hisses, pops, clicks and hums are all removed with various sound editing and sculpting tools via software like iZotope, Waves and other plugins.
I use time stretching/compression capabilities to match different takes of vocal performances, do vocal comp tracks, tune vocals and add effects that your favorite artists use.
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with Class A editing and mixing
Q: Tell us about your studio setup.
A: I have an Avid Artist controller, Focusrite Saphire, Presonus Eureka pre amp, Akai MPK61 controller, Glyph FireWire recording drive, Monster signal conditioner, KRK Rokit 5 monitors, Alesis DSP 820 monitors and a bunch of software and other bells and whistles.
Q: What other musicians or music production professionals inspire you?
A: Usually artists that are independent like Serj Tankian or composers who started at the bottom line Danny Elfman.
Q: Describe the most common type of work you do for your clients.
A: I compose, edit and mix instrumentals and songs for public release and motion picture.
I will allow up to 2 revisions with no charge. My turn around time on mixing is up to 72 hrs but can be 24 depending on the project. I'd rather work with an artist than make a dollar off them.
- Apollo UAD plugins and hardware
- Ableton Live
- KRK monitors and Sub Woofer
- Pro Tools
- Waves Plugz
- Fab Filter Plugz
- iZotope Plugz and a super dope machine with a lot of RAM.
15% off every song mix or beat purchase
