I'm Tony, a certified Pro Tools user with Avid. I've been audio engineering for 10+ years and my editing suite is acoustically treated and my product transfers well to various listening environments.
I start with the most obvious sound issues and work my way out until I hear clean clear pristine audio. Artifacts like hisses, pops, clicks and hums are all removed with various sound editing and sculpting tools via software like iZotope, Waves and other plugins.
I can also use time stretching/compression capabilities to match different takes of vocal performances from track to track. I can also control D-essing and plosives.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Class A editing and mixing
Q: Tell us about your studio setup.
A: I have an Avid Artist controller, Focusrite Saphire, Presonus Eureka pre amp, Akai MPK61 controller, Glyph FireWire recording drive, Monster signal conditioner, KRK Rokit 5 monitors, Alesis DSP 820 monitors and a bunch of software and other bells and whistles.
Q: What other musicians or music production professionals inspire you?
A: Usually artists that are independent like Serj Tankian or composers who started at the bottom line Danny Elfman.
Q: Describe the most common type of work you do for your clients.
A: I compose, edit and mix instrumentals and songs for public release and motion picture.