I'm Tony, a certified Pro Tools user with Avid. I've been audio engineering for 10+ years and my editing suite is acoustically treated and my product transfers well to various listening environments.

I start with the most obvious sound issues and work my way out until I hear clean clear pristine audio. Artifacts like hisses, pops, clicks and hums are all removed with various sound editing and sculpting tools via software like iZotope, Waves and other plugins.

I can also use time stretching/compression capabilities to match different takes of vocal performances from track to track. I can also control D-essing and plosives.

Endorse Class A editing and mixing


Interview with Class A editing and mixing

Tell us about your studio setup.
I have an Avid Artist controller, Focusrite Saphire, Presonus Eureka pre amp, Akai MPK61 controller, Glyph FireWire recording drive, Monster signal conditioner, KRK Rokit 5 monitors, Alesis DSP 820 monitors and a bunch of software and other bells and whistles.
What other musicians or music production professionals inspire you?
Usually artists that are independent like Serj Tankian or composers who started at the bottom line Danny Elfman.
Describe the most common type of work you do for your clients.
I compose, edit and mix instrumentals and songs for public release and motion picture.